{ "about": "Reference transcripts and open-source baseline transcripts for the TranscribeBench test set. Each reference is shared under its clip's license (CC BY 4.0 or CC BY-SA 4.0) with the credit given; the baseline transcripts are machine output on that audio.", "clips": { "ls-clean-1": { "condition": "clean-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "HE PASSES ABRUPTLY FROM PERSONS TO IDEAS AND NUMBERS AND FROM IDEAS AND NUMBERS TO PERSONS FROM THE HEAVENS TO MAN FROM ASTRONOMY TO PHYSIOLOGY HE CONFUSES OR RATHER DOES NOT DISTINGUISH SUBJECT AND OBJECT FIRST AND FINAL CAUSES AND IS DREAMING OF GEOMETRICAL FIGURES LOST IN A FLUX OF SENSE THE INFLUENCE WITH THE TIMAEUS HAS EXERCISED UPON POSTERITY IS DUE PARTLY TO A MISUNDERSTANDING IN THE SUPPOSED DEPTHS OF THIS DIALOGUE THE NEO PLATONISTS FOUND HIDDEN MEANINGS AND CONNECTIONS WITH THE JEWISH AND CHRISTIAN SCRIPTURES AND OUT OF THEM THEY ELICITED DOCTRINES QUITE AT VARIANCE WITH THE SPIRIT OF PLATO THEY WERE ABSORBED IN HIS THEOLOGY AND WERE UNDER THE DOMINION OF HIS NAME WHILE THAT WHICH WAS TRULY GREAT AND TRULY CHARACTERISTIC IN HIM HIS EFFORT TO REALIZE AND CONNECT ABSTRACTIONS WAS NOT UNDERSTOOD BY THEM AT ALL", "transcripts": { "whisper-base.en": "He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology. He confuses, or rather does not distinguish, subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. The influence which the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue, the Neo-Platonists found hidden meanings in connections with the Jewish and Christian scriptures, and out of them, they elicited doctrines quite at variance with the Spirit of Plato. They were absorbed in his theology and were under the dominion of his name, while that, which was truly great and truly characteristic in him, his effort to realize and connect abstractions was not understood by them at all.", "whisper-medium.en": "He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology. He confuses, or rather does not distinguish, subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. The influence which the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue, the Neo-Platonists found hidden meanings in connections with the Jewish and Christian scriptures, and out of them they elicited doctrines quite at variance with the spirit of Plato. They were absorbed in his theology and were under the dominion of his name, while that which was truly great and truly characteristic in him, his effort to realize and connect abstractions, was not understood by them at all.", "whisper-small.en": "He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology. He confuses, or rather does not distinguish subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. The influence which the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue, the Neo-Platonists found hidden meanings and connections with the Jewish and Christian scriptures, and out of them, they elicited doctrines quite at variance with the spirit of Plato. They were absorbed in his theology and were under the dominion of his name, while that which was truly great and truly characteristic in him, his effort to realize and connect abstractions was not understood by them at all.", "whisper-tiny.en": "He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology. He confuses, or rather does not distinguish, subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. The influence which the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue, the Neo-Platinists found hidden meanings in connections with the Jewish and Christian scriptures, and out of them they elicited doctrines quite at variance with the spirit of Plato. They were absorbed in his theology, and were under the dominion of his name. While that which was truly great and truly characteristic in him, his effort to realize his incorrect abstractions was not understood by them at all." } }, "ls-clean-2": { "condition": "clean-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "MAINHALL LIKED ALEXANDER BECAUSE HE WAS AN ENGINEER HE HAD PRECONCEIVED IDEAS ABOUT EVERYTHING AND HIS IDEA ABOUT AMERICANS WAS THAT THEY SHOULD BE ENGINEERS OR MECHANICS IT'S TREMENDOUSLY WELL PUT ON TOO IT'S BEEN ON ONLY TWO WEEKS AND I'VE BEEN HALF A DOZEN TIMES ALREADY DO YOU KNOW ALEXANDER MAINHALL LOOKED WITH PERPLEXITY UP INTO THE TOP OF THE HANSOM AND RUBBED HIS PINK CHEEK WITH HIS GLOVED FINGER DO YOU KNOW I SOMETIMES THINK OF TAKING TO CRITICISM SERIOUSLY MYSELF SHE SAVES HER HAND TOO SHE'S AT HER BEST IN THE SECOND ACT HE'S BEEN WANTING TO MARRY HILDA THESE THREE YEARS AND MORE SHE DOESN'T TAKE UP WITH ANYBODY YOU KNOW IRENE BURGOYNE ONE OF HER FAMILY TOLD ME IN CONFIDENCE THAT THERE WAS A ROMANCE SOMEWHERE BACK IN THE BEGINNING MAINHALL VOUCHED FOR HER CONSTANCY WITH A LOFTINESS THAT MADE ALEXANDER SMILE EVEN WHILE A KIND OF RAPID EXCITEMENT WAS TINGLING THROUGH HIM HE'S ANOTHER WHO'S AWFULLY KEEN ABOUT HER LET ME INTRODUCE YOU SIR HARRY TOWNE MISTER BARTLEY ALEXANDER THE AMERICAN ENGINEER I SAY SIR HARRY THE LITTLE GIRL'S GOING FAMOUSLY TO NIGHT ISN'T SHE DO YOU KNOW I THOUGHT THE DANCE A BIT CONSCIOUS TO NIGHT FOR THE FIRST TIME WESTMERE AND I WERE BACK AFTER THE FIRST ACT AND WE THOUGHT SHE SEEMED QUITE UNCERTAIN OF HERSELF A LITTLE ATTACK OF NERVES POSSIBLY", "transcripts": { "whisper-base.en": "Maine Hall liked Alexander because he was an engineer. He had preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. It's tremendously well put on, too. It's been on only two weeks, and I've been half a dozen times already. Do you know, Alexander, Maine Hall looked with perplexity up into the top of the handsome and rubbed his pink cheek with his gloved finger? Do you know, I sometimes think of taking to criticism seriously myself. She saves her hand, too. She's at her best in the second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know. Irene Burgoyne, one of her family, told me in confidence that there was a romance somewhere back in the beginning. Maine Hall vouched for her constancy with a loftiness that made Alexander smile, even while a kind of rapid excitement was tingling through him. He's another who's awfully keen about her. Let me introduce you, Sir Harry Town, Mr. Bartley Alexander, the American engineer. I say, Sir Harry, the little girl's going famously tonight, isn't she? You know, I thought the dance a bit conscious tonight. For the first time, Westmere and I were back after the first act, and we thought she seemed quite uncertain of herself. A little attack of nerves, possibly.", "whisper-medium.en": "Main Hall liked Alexander because he was an engineer. He had preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. It's tremendously well put on, too. It's been on only two weeks, and I've been half a dozen times already. Do you know, Alexander, Main Hall looked with perplexity up into the top of the handsome and rubbed his pink cheek with his gloved finger, do you know, I sometimes think of taking to criticism seriously myself. She saves her hand, too. She's at her best in the second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know. Irene Burgoyne, one of her family, told me in confidence that there was a romance somewhere back in the beginning. Main Hall vouched for her constancy with a loftiness that made Alexander smile, even while a kind of rapid excitement was tingling through him. He's another who's awfully keen about her. Let me introduce you, Sir Harry Towne, Mr. Bartley Alexander, the American engineer. I say, Sir Harry, the little girl's going famously tonight, isn't she? You know, I thought the dance a bit conscious tonight. For the first time, Westmere and I were back after the first act, and we thought she seemed quite uncertain of herself. A little attack of nerves, possibly.", "whisper-small.en": "Main Hall liked Alexander because he was an engineer. He had preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. It's tremendously well put on, too. It's been on only two weeks, and I've been half a dozen times already. Do you know, Alexander, Main Hall looked with perplexity up into the top of the handsome and rubbed his pink cheek with his gloved finger? Do you know, I sometimes think of taking to criticism seriously myself. She saves her hand, too. She's at her best in the second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know. Irene Burgoyne, one of her family, told me in confidence that there was a romance somewhere back in the beginning. Main Hall vouched for her constancy with a loftiness that made Alexander smile, even while a kind of rapid excitement was tingling through him. He's another who's awfully keen about her. Let me introduce you. Sir Harry Town, Mr. Bartley Alexander, the American engineer. I say, Sir Harry, the little girl's going famously tonight, isn't she? You know, I thought the dance a bit conscious tonight. For the first time, Westmere and I were back after the first act, and we thought she seemed quite uncertain of herself. A little attack of nerves, possibly.", "whisper-tiny.en": "May Hall liked Alexander because he was an engineer. He had preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. It's tremendously well put on, too. It's been on only two weeks, and I've been half a dozen times already. Do you know Alexander? May Hall looked with perplexity up into the top of the handsome and rubbed his pink cheek with his gloved finger. Do you know I sometimes think of taking to criticism seriously myself. She saves her hand, too. She sat her best in the second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know. Irene Burgoyne, one of her family, told me in confidence that there was a romance somewhere back in the beginning. May Hall vouched for her constancy with a loftiness that made Alexander smile, even while a kind of rapid excitement was tingling through him. He's another who's awfully keen about her. Let me introduce you, Sir Harry Town. Mr. Hartley Alexander, the American engineer. I say, Sir Harry, the little girls going famously tonight, isn't she? You know, I thought the dance a bit conscious tonight. For the first time, West Mayor and I were back after the first act and we thought she seemed quite uncertain of herself. A little attack of nerves, possibly." } }, "ls-clean-3": { "condition": "clean-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "HOW STRANGE IT SEEMED TO THE SAD WOMAN AS SHE WATCHED THE GROWTH AND THE BEAUTY THAT BECAME EVERY DAY MORE BRILLIANT AND THE INTELLIGENCE THAT THREW ITS QUIVERING SUNSHINE OVER THE TINY FEATURES OF THIS CHILD GOD AS A DIRECT CONSEQUENCE OF THE SIN WHICH MAN THUS PUNISHED HAD GIVEN HER A LOVELY CHILD WHOSE PLACE WAS ON THAT SAME DISHONOURED BOSOM TO CONNECT HER PARENT FOR EVER WITH THE RACE AND DESCENT OF MORTALS AND TO BE FINALLY A BLESSED SOUL IN HEAVEN YET THESE THOUGHTS AFFECTED HESTER PRYNNE LESS WITH HOPE THAN APPREHENSION THE CHILD HAD A NATIVE GRACE WHICH DOES NOT INVARIABLY CO EXIST WITH FAULTLESS BEAUTY ITS ATTIRE HOWEVER SIMPLE ALWAYS IMPRESSED THE BEHOLDER AS IF IT WERE THE VERY GARB THAT PRECISELY BECAME IT BEST THIS OUTWARD MUTABILITY INDICATED AND DID NOT MORE THAN FAIRLY EXPRESS THE VARIOUS PROPERTIES OF HER INNER LIFE HESTER COULD ONLY ACCOUNT FOR THE CHILD'S CHARACTER AND EVEN THEN MOST VAGUELY AND IMPERFECTLY BY RECALLING WHAT SHE HERSELF HAD BEEN DURING THAT MOMENTOUS PERIOD WHILE PEARL WAS IMBIBING HER SOUL FROM THE SPIRITUAL WORLD AND HER BODILY FRAME FROM ITS MATERIAL OF EARTH", "transcripts": { "whisper-base.en": "How strange it seemed to the sad woman as she watched the growth and the beauty that became every day more brilliant and the intelligence that threw its quivering sunshine over the tiny features of this child. God, as a direct consequence of the sin which man thus punished, had given her a lovely child, whose place was on that same dishonoured bosom to connect her parent forever with the race and descent of mortals, and to be finally a blessed soul in heaven. Yet these thoughts affected Hester Prynne less with hope than apprehension. The child had a native grace which does not invariably coexist with faultless beauty. It's attire, however simple, always impressed the beholder as if it were the very garb that precisely became it best. This outward mutability indicated and did not more than fairly express the various properties of her inner life. Hester could only account for the child's character and even then most vaguely and imperfectly by recalling what she herself had been during that momentous period while Pearl was imbibing her soul from the spiritual world and her bodily frame from its material of earth.", "whisper-medium.en": "How strange it seemed to the sad woman, as she watched the growth and the beauty that became every day more brilliant, and the intelligence that threw its quivering sunshine over the tiny features of this child. God, as a direct consequence of the sin which man thus punished, had given her a lovely child, whose place was on that same dishonoured bosom to connect her parent for ever with the race and descent of mortals, and to be finally a blessed soul in heaven. Yet these thoughts affected Hester Prynne less with hope than apprehension. The child had a native grace which does not invariably co-exist with faultless beauty. Its attire, however simple, always impressed the beholder as if it were the very garb that precisely became it best. This outward mutability indicated, and did not more than fairly express, the various properties of her inner life. Hester could only account for the child's character, and even then most vaguely and imperfectly, by recalling what she herself had been during that momentous period while Pearl was imbibing her soul from the spiritual world, and her bodily frame from its material of earth.", "whisper-small.en": "How strange it seemed to the sad woman, as she watched the growth and the beauty that became every day more brilliant, and the intelligence that threw its quivering sunshine over the tiny features of this child. God as a direct consequence of the sin which man thus punished, had given her a lovely child, whose place was on that same dishonored bosom to connect her parent for ever with the race and descent of mortals, and to be finally a blessed soul in heaven. Yet these thoughts affected Hester Prynne less with hope than apprehension. The child had a native grace which does not invariably coexist with faultless beauty. Its attire, however simple, always impressed the beholder as if it were the very garb that precisely became it best. This outward mutability indicated, and did not more than fairly express, the various properties of her inner life. Hester could only account for the child's character, and even then most vaguely and imperfectly, by recalling what she herself had been during that momentous period, while Pearl was imbibing her soul from the spiritual world, and her bodily frame from its material of earth.", "whisper-tiny.en": "How strange it seemed to the sad woman as she watched the growth and the beauty that became every day more brilliant, and the intelligence that through its quivering sunshine over the tiny features of this child. God, as a direct consequence of the sin which man thus punished, had given her a lovely child whose place was on that same dishonored bosom to connect her parent forever with the race and descent of mortals, and to be finally a blessed soul in heaven. At these thoughts affected Hester Prin less with hope than apprehension. The child had a native grace which does not invariably coexist with faultless beauty. It's a tire, however simple, always impressed the beholder as if it were the very garb that precisely became it best. This outward mutability indicated and did not more than fairly express the various properties of her inner life. Hester could only account for the child's character and even then most vaguely and imperfectly by recalling what she herself had been during that momentous period while Pearl was imbibing her soul from the spiritual world, and her bodily frame from its material of Earth." } }, "ls-clean-4": { "condition": "clean-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "ON THE SIXTH OF APRIL EIGHTEEN THIRTY THE CHURCH OF JESUS CHRIST OF LATTER DAY SAINTS WAS FORMALLY ORGANIZED AND THUS TOOK ON A LEGAL EXISTENCE ITS ORIGIN WAS SMALL A GERM AN INSIGNIFICANT SEED HARDLY TO BE THOUGHT OF AS LIKELY TO AROUSE OPPOSITION INSTEAD OF BUT SIX REGULARLY AFFILIATED MEMBERS AND AT MOST TWO SCORE OF ADHERENTS THE ORGANIZATION NUMBERS TODAY MANY HUNDRED THOUSAND SOULS IN PLACE OF A SINGLE HAMLET IN THE SMALLEST CORNER OF WHICH THE MEMBERS COULD HAVE CONGREGATED THERE NOW ARE ABOUT SEVENTY STAKES OF ZION AND ABOUT SEVEN HUNDRED ORGANIZED WARDS EACH WARD AND STAKE WITH ITS FULL COMPLEMENT OF OFFICERS AND PRIESTHOOD ORGANIZATIONS THE PRACTISE OF GATHERING ITS PROSELYTES INTO ONE PLACE PREVENTS THE BUILDING UP AND STRENGTHENING OF FOREIGN BRANCHES AND INASMUCH AS EXTENSIVE AND STRONG ORGANIZATIONS ARE SELDOM MET WITH ABROAD VERY ERRONEOUS IDEAS EXIST CONCERNING THE STRENGTH OF THE CHURCH", "transcripts": { "whisper-base.en": "On 6 April 1830, the Church of Jesus Christ of Latter-day Saints was formerly organized and thus took on a legal existence. Its origin was small, a germ, an insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members, and at most two score of adherents, the organization numbers today many hundred thousand souls. The place of a single hamlet, in the smallest corner of which the members could have congregated. There now are, about seventy steaks of Zion, and about seven hundred organized wards, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches, and in as much as extensive and strong organizations are seldom met with abroad, very erroneous ideas exist considering the strength of the Church.", "whisper-medium.en": "On the 6th of April, 1830, the Church of Jesus Christ of Latter-day Saints was formally organized and thus took on a legal existence. Its origin was small, a germ, an insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members, and at most two score of adherents, the organization numbers today many hundred thousand souls. In place of a single hamlet, in the smallest corner of which the members could have congregated, there now are about seventy stakes of Zion and about seven hundred organized wards, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches, and inasmuch as extensive and strong organizations are seldom met with abroad, very erroneous ideas exist concerning the strength of the Church.", "whisper-small.en": "On the 6th of April, 1830, the Church of Jesus Christ of Latter-day Saints was formerly organized and thus took on a legal existence. Its origin was small, a germ, an insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members, and at most two score of adherents, the organization numbers today many hundred thousand souls. In place of a single hamlet, in the smallest corner of which the members could have congregated, there now are about seventy stakes of Zion and about seven hundred organized wards, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches. And inasmuch as extensive and strong organizations are seldom met with abroad, very erroneous ideas exist, considering the strength of the Church.", "whisper-tiny.en": "On the 6th of April 1830, the Church of Jesus Christ of Latter-day Saints was formerly organized and thus took on a legal existence. Its origin was small, a germ, and insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members, and at most two-score of adherence, the organization numbers today many hundred thousand souls. In place of a single Hamlet, in the smallest corner of which the members could have congregated, there now are about seventy stakes of Zion and about seven hundred organized wards, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches, and in as much as extensive and strong organizations are seldom met with abroad. Very erroneous ideas exist, considering the strength of the Church." } }, "ls-clean-5": { "condition": "clean-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "THE ANALYSIS OF KNOWLEDGE WILL OCCUPY US UNTIL THE END OF THE THIRTEENTH LECTURE AND IS THE MOST DIFFICULT PART OF OUR WHOLE ENTERPRISE WHAT IS CALLED PERCEPTION DIFFERS FROM SENSATION BY THE FACT THAT THE SENSATIONAL INGREDIENTS BRING UP HABITUAL ASSOCIATES IMAGES AND EXPECTATIONS OF THEIR USUAL CORRELATES ALL OF WHICH ARE SUBJECTIVELY INDISTINGUISHABLE FROM THE SENSATION WHETHER OR NOT THIS PRINCIPLE IS LIABLE TO EXCEPTIONS EVERYONE WOULD AGREE THAT IS HAS A BROAD MEASURE OF TRUTH THOUGH THE WORD EXACTLY MIGHT SEEM AN OVERSTATEMENT AND IT MIGHT SEEM MORE CORRECT TO SAY THAT IDEAS APPROXIMATELY REPRESENT IMPRESSIONS AND WHAT SORT OF EVIDENCE IS LOGICALLY POSSIBLE THERE IS NO LOGICAL IMPOSSIBILITY IN THE HYPOTHESIS THAT THE WORLD SPRANG INTO BEING FIVE MINUTES AGO EXACTLY AS IT THEN WAS WITH A POPULATION THAT REMEMBERED A WHOLLY UNREAL PAST ALL THAT I AM DOING IS TO USE ITS LOGICAL TENABILITY AS A HELP IN THE ANALYSIS OF WHAT OCCURS WHEN WE REMEMBER", "transcripts": { "whisper-base.en": "The analysis of knowledge will occupy us until the end of the thirteenth lecture and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensational ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement, and it might seem more correct to say that ideas approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with the population that remembered a wholly unreal past. All that I am doing is to use its logical tunability as a help in the analysis of what occurs when we remember.", "whisper-medium.en": "The analysis of knowledge will occupy us until the end of the thirteenth lecture, and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensational ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement, and it might seem more correct to say that ideas approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with a population that remembered a wholly unreal past. All that I am doing is to use its logical tunability as a help in the analysis of what occurs when we remember.", "whisper-small.en": "The analysis of knowledge will occupy us until the end of the 13th lecture, and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensational ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement, and it might seem more correct to say that ideas approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with a population that remembered a wholly unreal past. All that I am doing is to use its logical tenability as a help in the analysis of what occurs when we remember.", "whisper-tiny.en": "The analysis of knowledge will occupy us until the end of the 13th lecture and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensational ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement. And it might seem more correct to say that I did approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago. Exactly, as it then was, with the population that remembered a wholly unreal past. All that I am doing is to use its logical tunability as a help in the analysis of what occurs when we remember." } }, "ls-other-1": { "condition": "hard-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "BUT I AM HUGELY PLEASED THAT YOU HAVE SEEN MY LADY I KNEW YOU COULD NOT CHOOSE BUT LIKE HER BUT YET LET ME TELL YOU YOU HAVE SEEN BUT THE WORST OF HER HER CONVERSATION HAS MORE CHARMS THAN CAN BE IN MERE BEAUTY AND HER HUMOUR AND DISPOSITION WOULD MAKE A DEFORMED PERSON APPEAR LOVELY WHY DID YOU NOT SEND ME THAT NEWS AND A GARLAND WELL THE BEST ON'T IS I HAVE A SQUIRE NOW THAT IS AS GOOD AS A KNIGHT IN EARNEST WE HAVE HAD SUCH A SKIRMISH AND UPON SO FOOLISH AN OCCASION AS I CANNOT TELL WHICH IS STRANGEST ALL THE PEOPLE THAT I HAD EVER IN MY LIFE REFUSED WERE BROUGHT AGAIN UPON THE STAGE LIKE RICHARD THE THREE S GHOSTS TO REPROACH ME WITHAL AND ALL THE KINDNESS HIS DISCOVERIES COULD MAKE I HAD FOR YOU WAS LAID TO MY CHARGE MY BEST QUALITIES IF I HAVE ANY THAT ARE GOOD SERVED BUT FOR AGGRAVATIONS OF MY FAULT AND I WAS ALLOWED TO HAVE WIT AND UNDERSTANDING AND DISCRETION IN OTHER THINGS THAT IT MIGHT APPEAR I HAD NONE IN THIS", "transcripts": { "whisper-base.en": "But, I am hugely pleased that you have seen my lady. I knew you could not choose, but like her, but yet let me tell you, you have seen but the worst of her. Her conversation has more charms than can be in mere beauty, and a humour and disposition would make a deformed person appear lovely. Why didn't you not send me that news, and a garland? Well, the best honest is that I have a squire now that is as good as the night. In earnest, we have had such a skirmish, and upon so foolish an occasion as I cannot tell which is strangers. All the people that I had ever in my life refused were brought again upon the stage, like Richard III's ghosts, to reproach me with all, and all the kindness his discoveries could make I had for you was lead to my charge, my best qualities, if I have any that are good, served but for aggravations of my fault, and I was allowed to have wit an understanding and discretion in other things that it might appear I had none in this.", "whisper-medium.en": "But, I am hugely pleased that you have seen my lady. I knew you could not choose but, like her, but yet let me tell you, you have seen but the worst of her. Her conversation has more charms than can be in mere beauty, and her humour and disposition would make a deformed person appear lovely. Why did you not send me that news, and a garland? Well, the best on it is that I have a squire now, that is as good as a knight. In earnest, we have had such a skirmish, and upon so foolish an occasion, as I cannot tell which is strangest. All the people that I had ever in my life refused were brought again upon the stage, like Richard III's ghosts, to reproach me with all, and all the kindness his discoveries could make I had for you was led to my charge. My best qualities, if I have any that are good, served but for aggravations of my fault, and I was allowed to have wit and understanding and discretion in other things that it might appear I had none in this.", "whisper-small.en": "But, I am hugely pleased that you have seen my lady. I knew you could not choose but, like her, but yet let me tell you, you have seen but the worst of her. Her conversation has more charms than can be in mere beauty, and her humor and disposition would make a deformed person appear lovely. Why didn't you not send me that news, and a garland? Well, the best on it is that I have a squire now that is as good as a knight. In earnest we have had such a skirmish, and upon so foolish an occasion as I cannot tell which is strangest. All the people that I had ever in my life refused were brought again upon the stage, like Richard III's ghosts, to reproach me with all, and all the kindness his discoveries could make I had for you was laid to my charge. My best qualities, if I have any that are good, served but for aggravations of my fault, and I was allowed to have wit and understanding and discretion in other things that it might appear I had none in this.", "whisper-tiny.en": "But, I am usually pleased that you have seen my lady. I knew you could not choose, but like her, but yet let me tell you, you have seen but the worst of her. Her conversation has more charms and can be in mere beauty, and a humor and disposition would make a deformed person appear lovely. Why didn't you not send me that news? And a garland. Well, the best on it is that I have a squire now that is as good as a knight. In honest, we have had such a skirmish, and a point so foolish an occasion as I cannot tell which is strangest. All the people that I had ever in my life refused were brought again upon the stage, like Richard III's ghosts, to approach me with all. And all the kindness his discoveries could make I had for you, was laid to my charge. My best qualities, if I have any that are good, served but for aggravations of my fault. And I was allowed to have wit and understanding and discretion in other things that it might appear I had none in this." } }, "ls-other-2": { "condition": "hard-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "THE DUKE COMES EVERY MORNING THEY WILL TELL HIM WHEN HE COMES THAT I AM ASLEEP AND PERHAPS HE WILL WAIT UNTIL I WAKE YES BUT IF I SHOULD ALREADY ASK FOR SOMETHING WHAT WELL DO IT FOR ME FOR I SWEAR TO YOU THAT I DON'T LOVE YOU AS THE OTHERS HAVE LOVED YOU THERE ARE BOLTS ON THE DOOR WRETCH I DON'T KNOW HOW IT IS BUT IT SEEMS TO ME AS IF I DO NOW GO I CAN'T KEEP MY EYES OPEN IT SEEMED TO ME AS IF THIS SLEEPING CITY BELONGED TO ME I SEARCHED MY MEMORY FOR THE NAMES OF THOSE WHOSE HAPPINESS I HAD ONCE ENVIED AND I COULD NOT RECALL ONE WITHOUT FINDING MYSELF THE HAPPIER EDUCATION FAMILY FEELING THE SENSE OF DUTY THE FAMILY ARE STRONG SENTINELS BUT THERE ARE NO SENTINELS SO VIGILANT AS NOT TO BE DECEIVED BY A GIRL OF SIXTEEN TO WHOM NATURE BY THE VOICE OF THE MAN SHE LOVES GIVES THE FIRST COUNSELS OF LOVE ALL THE MORE ARDENT BECAUSE THEY SEEM SO PURE", "transcripts": { "whisper-base.en": "The duke comes every morning, they will tell him when he comes, that I am asleep, and perhaps he will wait until I awake. Yes. But if I should already ask for something—what? Well, do it for me, for I swear to you that I don't love you as the others have loved you. There are bolts in the door—wretch! I don't know how it is, but it seems to me as if I do. Now go, I can't keep my eyes open. It seems to me as if this sleeping city belongs to me. I searched my memory for the names of those whose happiness I had once envied, and I could not recall one without finding myself the happier. Education, family feeling, the sense of duty, the family are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen, to whom nature, by the voice of the man she loves, gives the first castle of love, all the more artisans, because they seem so pure.", "whisper-medium.en": "The Duke comes every morning. They will tell him when he comes that I am asleep, and perhaps he will wait until I awake.\" Yes. But if I should already ask for something? What? Well, do it for me, for I swear to you that I don't love you as the others have loved you. There are bolts in the door. Wretch! I don't know how it is, but it seems to me as if I do. Now go. I can't keep my eyes open. It seems to me as if this sleeping city belongs to me. I searched my memory for the names of those whose happiness I had once envied, and I could not recall one without finding myself the happier. Education, family feeling, the sense of duty, the family are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, but the voice of the man she loves gives the first castle of love all the more ardent because they seem so pure.", "whisper-small.en": "The Duke comes every morning. They will tell him when he comes that I am asleep, and perhaps he will wait until I awake. Yes. But if I should already ask for something? What? Well, do it for me, for I swear to you that I don't love you as the others have loved you. There are bolts in the door. Wretch! I don't know how it is, but it seems to me as if I do. Now go. I can't keep my eyes open. It seems to me as if this sleeping city belongs to me. I searched my memory for the names of those whose happiness I had once envied, and I could not recall one without finding myself the happier. Education, family feeling, the sense of duty, the family are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen, to whom nature, by the voice of the man she loves, gives the first castle of love, all the more ardent because they seem so pure.", "whisper-tiny.en": "The juke comes every morning. They will tell him when he comes that I am asleep, and perhaps he will wait until I awake. Yes. But if I should already ask for something, what? Well, do it for me, for I swear to you that I don't love you as the others have loved you. There are bolts in the door, wretch. I don't know how it is, but it seems to me as if I do, now go. I can't keep my eyes open. It seems to me as if this sleeping city belongs to me. I searched my memory for the names of those whose happiness I had once in envied, and I could not recall one without finding myself the happier. Education, family feeling, the sense of duty, the family are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first castle of love all the more artisans because they seem so pure." } }, "ls-other-3": { "condition": "hard-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "THEY SWARMED UP IN FRONT OF SHERBURN'S PALINGS AS THICK AS THEY COULD JAM TOGETHER AND YOU COULDN'T HEAR YOURSELF THINK FOR THE NOISE SOME SUNG OUT TEAR DOWN THE FENCE TEAR DOWN THE FENCE THE STILLNESS WAS AWFUL CREEPY AND UNCOMFORTABLE SHERBURN RUN HIS EYE SLOW ALONG THE CROWD AND WHEREVER IT STRUCK THE PEOPLE TRIED A LITTLE TO OUT GAZE HIM BUT THEY COULDN'T THEY DROPPED THEIR EYES AND LOOKED SNEAKY THE AVERAGE MAN'S A COWARD BECAUSE THEY'RE AFRAID THE MAN'S FRIENDS WILL SHOOT THEM IN THE BACK IN THE DARKAND IT'S JUST WHAT THEY WOULD DO SO THEY ALWAYS ACQUIT AND THEN A MAN GOES IN THE NIGHT WITH A HUNDRED MASKED COWARDS AT HIS BACK AND LYNCHES THE RASCAL YOU DIDN'T WANT TO COME BUT A MOB WITHOUT ANY MAN AT THE HEAD OF IT IS BENEATH PITIFULNESS NOW LEAVE AND TAKE YOUR HALF A MAN WITH YOU TOSSING HIS GUN UP ACROSS HIS LEFT ARM AND COCKING IT WHEN HE SAYS THIS", "transcripts": { "whisper-base.en": "They swarmed up in front of Sherburn's palings as thick as they could jam together, and you couldn't hear yourself think for the noise. Some sung out, tear down the fence, tear down the fence. The stillness was awful creepy and uncomfortable. Sherburn ran his eyes slow along the crowd, and wherever it struck the people tried a little to outgaze him, but they couldn't. They dropped their eyes and looked sneaky. The average man's a coward, because they're afraid the man's friends will shoot them in the back, in the dark, and it's just what they would do. So they always acquit, and then a man goes in the night with a hundred masked cowards at his back and lynches the rascal. You didn't want to come, but a mob without any man at the head of it is beneath pitifulness. Now leave and take your half a man with you. Tossing his gun up across his left arm and cocking it when he says this.", "whisper-medium.en": "They swarmed up in front of Sherburne's palings as thick as they could jam together, and you couldn't hear yourself think for the noise. Some sung out, \"'Tear down the fence, tear down the fence!\" The stillness was awful creepy and uncomfortable. Sherburne run his eyes slow along the crowd, and wherever it struck, the people tried a little to out-gaze him. But they couldn't. They dropped their eyes and looked sneaky. The average man's a coward, because they're afraid the man's friends will shoot them in the back in the dark, and it's just what they would do. So they always acquit, and then a man goes in the night with a hundred masked cowards at his back and lynches the rascal. You didn't want to come, but a mob without any man at the head of it is beneath pitifulness. Now leave, and take your half a man with you, tossing his gun up across his left arm and cocking it when he says this.", "whisper-small.en": "They swarmed up in front of Sherburn's palings as thick as they could jam together, and you couldn't hear yourself think for the noise. Some sung out, tear down the fence, tear down the fence. The stillness was awful, creepy, and uncomfortable. Sherburn run his eyes slow along the crowd, and wherever it struck, the people tried a little to out-gaze them, but they couldn't. They dropped their eyes and looked sneaky. The average man's a coward, because they're afraid the man's friends will shoot them in the back in the dark, and it's just what they would do. So they always acquit, and then a man goes in the night with a hundred masked cowards at his back and lynches the rascal. You didn't want to come, but a mob without any man at the head of it is beneath pitifulness. Now leave, and take your half a man with you, tossing his gun up across his left arm and cocking it when he says this.", "whisper-tiny.en": "They swarmed up in front of Sherburn's pailings as thick as they could jam together, and you couldn't hear yourself think for the noise. Some sung out, tear down the fence, tear down the fence. The stillness was awful creepy and uncomfortable. Sherburn run his eye slow along the crowd, and wherever it struck the people tried a little to outgaze him, but they couldn't. They dropped their eyes and looked sneaky. The average man's a coward, because they're afraid the man's friends will shoot them in the back in the dark, and it's just what they would do. So they always equip, and then a man goes in the night with a hundred masked cowards at his back and linches the rascal. You didn't want to come, but a mob without any man at the head of it is beneath pitifulness. Now leave and take your half a man with you, tossing his gun up across his left arm and cocking it when he says this." } }, "ls-other-4": { "condition": "hard-read", "license": "CC BY 4.0", "credit": "LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0 (Panayotov, Chen, Povey and Khudanpur, ICASSP 2015), from LibriVox public-domain audiobooks. Changed: consecutive utterances joined into one clip.", "reference": "AFTERWARD IT WAS SUPPOSED THAT HE WAS SATISFIED WITH THE BLOOD OF OXEN LAMBS AND DOVES AND THAT IN EXCHANGE FOR OR ON ACCOUNT OF THESE SACRIFICES THIS GOD GAVE RAIN SUNSHINE AND HARVEST WHETHER HE WAS THE CREATOR OF YOURSELF AND MYSELF WHETHER ANY PRAYER WAS EVER ANSWERED WHY DID HE CREATE THE INTELLECTUALLY INFERIOR WHY DID HE CREATE THE DEFORMED AND HELPLESS WHY DID HE CREATE THE CRIMINAL THE IDIOTIC THE INSANE ARE THE FAILURES UNDER OBLIGATION TO THEIR CREATOR IS HE RESPONSIBLE FOR ALL THE WARS THAT HAVE BEEN WAGED FOR ALL THE INNOCENT BLOOD THAT HAS BEEN SHED IS HE RESPONSIBLE FOR THE CENTURIES OF SLAVERY FOR THE BACKS THAT HAVE BEEN SCARRED WITH THE LASH FOR THE BABES THAT HAVE BEEN SOLD FROM THE BREASTS OF MOTHERS FOR THE FAMILIES THAT HAVE BEEN SEPARATED AND DESTROYED", "transcripts": { "whisper-base.en": "Afterward, it was supposed that he was satisfied with the blood of oxen, lambs, and davs, and that in exchange for, or in account of these sacrifices, these gods gave rain, sunshine, and harvest. Whether he was the creator of yourself and myself, whether any prayer was ever answered. Why did he create the intellectual inferior? Why did he create the deformed and helpless? Why did he create the criminal, the idiotic, the insane, are the failures and the obligation to their creator? Is he responsible for all the wars that have been waged, for all the innocent blood that has been shed? Is he responsible for the centuries of slavery, for the backs that have been scarred with the rush, for the babes that have been sowed from the breasts of mothers, for the families that have been separated and destroyed?", "whisper-medium.en": "Afterward, it was supposed that he was satisfied with the blood of oxen, lambs and doves, and that in exchange for or in account of these sacrifices, this God gave rain, sunshine and harvest. Whether he was the creator of yourself and myself, whether any prayer was ever answered, why did he create the intellectually inferior? Why did he create the deformed and helpless? Why did he create the criminal, the idiotic, the insane? Are the failures under obligation to their creator? Is he responsible for all the wars that have been waged, for all the innocent blood that has been shed? Is he responsible for the centuries of slavery, for the backs that have been scarred with a lash, for the babes that have been sold from the breasts of mothers, for the families that have been separated and destroyed?", "whisper-small.en": "Afterward, it was supposed that he was satisfied with the blood of oxen, lamps and doves, and that in exchange for or in account of these sacrifices, this God gave rain, sunshine and harvest. Whether he was the creator of yourself and myself, whether any prayer was ever answered, why did he create the intellectual inferior? Why did he create the deformed and helpless? Why did he create the criminal, the idiotic, the insane? Are the failures under obligation to their creator? Is he responsible for all the wars that have been waged, for all the innocent blood that has been shed? Is he responsible for the centuries of slavery, for the backs that have been scarred with a lash, for the babes that have been sold from the breasts of mothers, for the families that have been separated and destroyed?", "whisper-tiny.en": "Afterward, it was supposed that he was satisfied with the blood of oxen, lambs, and doves, and that in exchange for or in account of these sacrifices, this God gave rain, sunshine, and harvest, whether he was the creator of yourself and myself, whether any prayer was ever answered. Why did he create the intellectual inferior? Why did he create the deformed and helpless? Why did he create the criminal, the idiotic, the insane? Are the failures under obligation to their creator? Is he responsible for all the walls that have been waged for all the innocent blood that has been shed? Is he responsible for the centuries of slavery for the backs that have been scarred with a lash? For the babes that have been sold from the breasts of mothers, for the families that have been separated and destroyed?" } }, "noisy-1": { "condition": "noisy", "license": "CC BY 4.0 (speech); public domain (noise)", "credit": "Speech: LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0. Noise: \"Restaurant ambience\" by stephan, public domain (pdsounds.org, via Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Restaurant_ambience.ogg). Changed: utterances joined and mixed with the noise at the stated SNR.", "reference": "HE PASSES ABRUPTLY FROM PERSONS TO IDEAS AND NUMBERS AND FROM IDEAS AND NUMBERS TO PERSONS FROM THE HEAVENS TO MAN FROM ASTRONOMY TO PHYSIOLOGY HE CONFUSES OR RATHER DOES NOT DISTINGUISH SUBJECT AND OBJECT FIRST AND FINAL CAUSES AND IS DREAMING OF GEOMETRICAL FIGURES LOST IN A FLUX OF SENSE THE INFLUENCE WITH THE TIMAEUS HAS EXERCISED UPON POSTERITY IS DUE PARTLY TO A MISUNDERSTANDING IN THE SUPPOSED DEPTHS OF THIS DIALOGUE THE NEO PLATONISTS FOUND HIDDEN MEANINGS AND CONNECTIONS WITH THE JEWISH AND CHRISTIAN SCRIPTURES AND OUT OF THEM THEY ELICITED DOCTRINES QUITE AT VARIANCE WITH THE SPIRIT OF PLATO THEY WERE ABSORBED IN HIS THEOLOGY AND WERE UNDER THE DOMINION OF HIS NAME WHILE THAT WHICH WAS TRULY GREAT AND TRULY CHARACTERISTIC IN HIM HIS EFFORT TO REALIZE AND CONNECT ABSTRACTIONS WAS NOT UNDERSTOOD BY THEM AT ALL", "transcripts": { "whisper-base.en": "He passes abruptly from persons, the ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology, the confuses, the reverend, does not distinguish subject and object, first had final causes and is dreaming of geometrical figures lost in a flux of sense. The influence which the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue, the neo-plattentists found hidden meanings and connections with the Jewish and Christian scriptures, and out of them, they elicited doctrines quite at variance with the spirit of Plato. They were absorbed in his theology and were under the dominion of his name, while that which was truly great and truly characteristic in him, his effort to realize and connect abstractions was not understood by them at all.", "whisper-medium.en": "It passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology. It confuses, or rather, does not distinguish subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. The influence which the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue, the Neoplatonists found hidden meanings in connections with the Jewish and Christian scriptures, and out of them they elicited doctrines quite at variance with the spirit of Plato. They were absorbed in his theology and were under the dominion of his name, while that which was truly great and truly characteristic in him, his effort to realize and connect abstractions, was not understood by them at all.", "whisper-small.en": "He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology. He confuses, or rather does not distinguish subject and object first and final causes, and is dreaming of geometrical figures lost in a flux of sense. The influence which the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue, the Neo-Platonists found hidden meanings and connections with the Jewish and Christian scriptures, and out of them, they elicited doctrines quite at variance with the spirit of Plato. They were absorbed in his theology and were under the dominion of his name, while that which was truly great and truly characteristic in him, his effort to realize and connect abstractions, was not understood by them at all.", "whisper-tiny.en": "It passes abruptly for persons, the ideas and numbers, and from ideas and numbers to persons, from the heavens to man, from astronomy to physiology, the confuses, or rather, is not the distinguished subject and object first at final causes, and is dreaming of geometrical figures lost, you know, flux of scent. The influence, which the Timaeus has exercised upon disparity, is due partly to a misunderstanding. In the supposed depths of this dialogue, the Neo-Platness found hidden meanings and connections with the Jewish and Christian scriptures, and out of them, they elicited doctrines quite at variance with the spirit of Plato. They were absorbed in his theology, and were under the dominion of his name. While that, which was truly great and truly characteristic in him, is effort to realize and connect with abstractions, was not understood by them at all." } }, "noisy-2": { "condition": "noisy", "license": "CC BY 4.0 (speech); public domain (noise)", "credit": "Speech: LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0. Noise: \"Restaurant ambience\" by stephan, public domain (pdsounds.org, via Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Restaurant_ambience.ogg). Changed: utterances joined and mixed with the noise at the stated SNR.", "reference": "MAINHALL LIKED ALEXANDER BECAUSE HE WAS AN ENGINEER HE HAD PRECONCEIVED IDEAS ABOUT EVERYTHING AND HIS IDEA ABOUT AMERICANS WAS THAT THEY SHOULD BE ENGINEERS OR MECHANICS IT'S TREMENDOUSLY WELL PUT ON TOO IT'S BEEN ON ONLY TWO WEEKS AND I'VE BEEN HALF A DOZEN TIMES ALREADY DO YOU KNOW ALEXANDER MAINHALL LOOKED WITH PERPLEXITY UP INTO THE TOP OF THE HANSOM AND RUBBED HIS PINK CHEEK WITH HIS GLOVED FINGER DO YOU KNOW I SOMETIMES THINK OF TAKING TO CRITICISM SERIOUSLY MYSELF SHE SAVES HER HAND TOO SHE'S AT HER BEST IN THE SECOND ACT HE'S BEEN WANTING TO MARRY HILDA THESE THREE YEARS AND MORE SHE DOESN'T TAKE UP WITH ANYBODY YOU KNOW IRENE BURGOYNE ONE OF HER FAMILY TOLD ME IN CONFIDENCE THAT THERE WAS A ROMANCE SOMEWHERE BACK IN THE BEGINNING MAINHALL VOUCHED FOR HER CONSTANCY WITH A LOFTINESS THAT MADE ALEXANDER SMILE EVEN WHILE A KIND OF RAPID EXCITEMENT WAS TINGLING THROUGH HIM HE'S ANOTHER WHO'S AWFULLY KEEN ABOUT HER LET ME INTRODUCE YOU SIR HARRY TOWNE MISTER BARTLEY ALEXANDER THE AMERICAN ENGINEER I SAY SIR HARRY THE LITTLE GIRL'S GOING FAMOUSLY TO NIGHT ISN'T SHE DO YOU KNOW I THOUGHT THE DANCE A BIT CONSCIOUS TO NIGHT FOR THE FIRST TIME WESTMERE AND I WERE BACK AFTER THE FIRST ACT AND WE THOUGHT SHE SEEMED QUITE UNCERTAIN OF HERSELF A LITTLE ATTACK OF NERVES POSSIBLY", "transcripts": { "whisper-base.en": "Maine Hall liked Alexander because he was an engineer. He didn't have preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. It's tremendously well put on. It's been on only two weeks, and I've been half a dozen times already. You know, Alexander, Maine Hall looked at the complexity up into the top of the hands and rubbed his pink cheek with his glove finger. You know, I sometimes think of taking to criticism seriously myself. She saves her hand, too. She's not her best in a second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know. Irene Burgoy, one of her family, told me in confidence that there was a romance somewhere back in the beginning. Maine Hall vouched with her constancy with a loftiness that made Alexander smile, even while a kind of rabid excitement was tingling through him. He's another who's awfully keen about her. Let me introduce you. Sir Harry Towne, Mr. Bartley Alexander, the American engineer. I say, Sir Harry, the little girl's going famously tonight, isn't she? You know, I thought we'd dance a bit conscious tonight. For the first time, Westby and I were back after the first act and thought she seemed quite uncertain of herself. A little attack on nerves, possibly.", "whisper-medium.en": "Main Hall liked Alexander because he was an engineer. He had preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. It's tremendously well put on, too. It's been on only two weeks, and I've been half a dozen times already. You know, Alexander, Main Hall looked with complexity up into the top of the handsome and rubbed his pink cheek with his gloved finger. You know, I sometimes think of taking to criticism seriously myself. She saves her hand, too. She's at her best in the second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know. Irene Burgoyne, one of her family, told me in confidence that there was a romance somewhere back in the beginning. Main Hall vouched for her constancy with a loftiness that made Alexander smile, even while a kind of rapid excitement was tingling through him. He's another who's awfully keen about her. Let me introduce you, Sir Harry Town, Mr. Bartley Alexander, the American engineer. I say, Sir Harry, the little girl's going famously tonight, isn't she? You know, I thought the dance a bit conscious tonight. For the first time, Westmere and I were back after the first act and thought she seemed quite uncertain of herself. A little attack of nerves, possibly.", "whisper-small.en": "Main Hall liked Alexander because he was an engineer. He had preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. It's tremendously well put on, too. It's been on only two weeks, and I've been half a dozen times already. You know, Alexander, Main Hall looked with perplexity up and to the top of the handsome, and rubbed his pink cheek with his glove finger. You know, I sometimes think of taking to criticism seriously myself. She saves her hand, too. She's at her best in the second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know. Irene Burgoyne, one of her family, told me in confidence that there was a romance somewhere back in the beginning. Main Hall vouched for her constancy with a loftiness that made Alexander smile, even while a kind of rapid excitement was tingling through him. He's another who's awfully keen about her. Let me introduce you, Sir Harry Towne, Mr. Bartley Alexander, the American engineer. I say, Sir Harry, the little girl's going famously tonight, isn't she? You know, I thought the dance a bit conscious tonight. For the first time, Wesley and I were back after the first act, and we thought she seemed quite uncertain of herself. A little attack of nerves, possibly.", "whisper-tiny.en": "His name called Liza Alexander because he was an engineer, and his idea is about everything. And his idea about American was that they should be engineer as a mechanic. It's tremendously well put on. It's been on only two weeks, and I've been half a dozen times already. You know Alexander, Maine Hall, looked at the complexity of the top of the hands, and rubbed his pink cheek with his glove finger. You know, I sometimes think of taking to criticism seriously myself. She saves her hand, too. She's not her best in the second act. He's been wanting to marry Hilda these three years and more. She doesn't take up with anybody, you know? I mean, we're going one of her families, told me in confidence that there was a romance somewhere back in the beginning. Maine Hall vowed to be for constancy with a loftiness that made Alexander smile, even while a kind of rabbit excitement was tingling through him. He's another who's awfully keen about her. Is that me introduce you, Sir Harry Town? Mr. Bartley Alexander, the American engineer. I say, Sir Harry, the little girl's going famously tonight, isn't she? No, I thought dance a bit conscious tonight. But the first time, when he and I were back after the first act, he thought she seemed quite uncertain to herself. A little attack of nerves possibly." } }, "noisy-3": { "condition": "noisy", "license": "CC BY 4.0 (speech); public domain (noise)", "credit": "Speech: LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0. Noise: \"Restaurant ambience\" by stephan, public domain (pdsounds.org, via Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Restaurant_ambience.ogg). Changed: utterances joined and mixed with the noise at the stated SNR.", "reference": "HOW STRANGE IT SEEMED TO THE SAD WOMAN AS SHE WATCHED THE GROWTH AND THE BEAUTY THAT BECAME EVERY DAY MORE BRILLIANT AND THE INTELLIGENCE THAT THREW ITS QUIVERING SUNSHINE OVER THE TINY FEATURES OF THIS CHILD GOD AS A DIRECT CONSEQUENCE OF THE SIN WHICH MAN THUS PUNISHED HAD GIVEN HER A LOVELY CHILD WHOSE PLACE WAS ON THAT SAME DISHONOURED BOSOM TO CONNECT HER PARENT FOR EVER WITH THE RACE AND DESCENT OF MORTALS AND TO BE FINALLY A BLESSED SOUL IN HEAVEN YET THESE THOUGHTS AFFECTED HESTER PRYNNE LESS WITH HOPE THAN APPREHENSION THE CHILD HAD A NATIVE GRACE WHICH DOES NOT INVARIABLY CO EXIST WITH FAULTLESS BEAUTY ITS ATTIRE HOWEVER SIMPLE ALWAYS IMPRESSED THE BEHOLDER AS IF IT WERE THE VERY GARB THAT PRECISELY BECAME IT BEST THIS OUTWARD MUTABILITY INDICATED AND DID NOT MORE THAN FAIRLY EXPRESS THE VARIOUS PROPERTIES OF HER INNER LIFE HESTER COULD ONLY ACCOUNT FOR THE CHILD'S CHARACTER AND EVEN THEN MOST VAGUELY AND IMPERFECTLY BY RECALLING WHAT SHE HERSELF HAD BEEN DURING THAT MOMENTOUS PERIOD WHILE PEARL WAS IMBIBING HER SOUL FROM THE SPIRITUAL WORLD AND HER BODILY FRAME FROM ITS MATERIAL OF EARTH", "transcripts": { "whisper-base.en": "How strange it seemed to the sad woman as she watched the growth and the beauty that became every day more brilliant, the intelligence that threw its quivering sunshine over the tiny features of this child. God, as a direct consequence of the sin which man thus punished, had given her a lovely child whose place was on that same dishonored puzzle to connect her parent forever with the race and descent of mortals, and to be finally a blessed soul in heaven. These thoughts affected Hester Prynne less with hope than apprehension. The child had a native grace which does not invariably coexist with faultless beauty. It's a tire, however simple, always impressed the beholder as if it were the very garb that precisely became it best. This outward mutability indicated and did not more than fairly express the various properties of her inner life. Hester could only account for the child's character and even then most vaguely and imperfectly by recalling what she herself had been during that momentous period while Pearl was imbibing her soul from the spiritual world and her bodily frame from its material of birth.", "whisper-medium.en": "How strange it seemed to the sad woman, as she watched the growth and the beauty that became every day more brilliant, and the intelligence that threw its quivering sunshine over the tiny features of this child. God, as a direct consequence of the sin which man thus punished, had given her a lovely child, whose place was on that same dishonored bosom to connect her parent forever with the race and descent of mortals, and to be finally a blessed soul in heaven. Yet these thoughts affected Hester Prynne less with hope than apprehension. The child had a native grace which does not invariably coexist with faultless beauty. Its attire, however simple, always impressed the beholder as if it were the very garb that precisely became it best. This outward mutability indicated, and did not more than fairly express, the various properties of her inner life. Hester could only account for the child's character, and even then most vaguely and imperfectly, by recalling what she herself had been during that momentous period, while Pearl was imbibing her soul from the spiritual world, and her bodily frame from its material of earth.", "whisper-small.en": "How strange it seemed to the sad woman, as she watched the growth and the beauty that became every day more brilliant, and the intelligence that threw its quivering sunshine over the tiny features of this child. God as a direct consequence of the sin which man thus punished, had given her a lovely child whose place was on that same dishonored bosom to connect her parent for ever with the race and descent of mortals, and to be finally a blessed soul in heaven. These thoughts affected Hester Prynne less with hope than apprehension. The child had a native grace which does not invariably coexist with faultless beauty. Its attire, however simple, always impressed the beholder as if it were the very garb that precisely became at best. This outward mutability indicated, and did not more than fairly express, the various properties of her inner life. Hester could only account for the child's character, and even then most vaguely and imperfectly by recalling what she herself had been during that momentous period while Pearl was imbibing her soul from the spiritual world and her bodily frame from its material of earth.", "whisper-tiny.en": "How strange it seemed to the sad woman as she watched the growth and the beauty that became every day more brilliant The intelligence that through its quivering sunshine over the tiny features of this child God as a direct consequence of the sin which man thus punished had given her a lovely child whose place was on that same dishonor proposal to connect her parent forever with the race and descent of mortals and to be finally a blessed soul in heaven Yet these thoughts affected has to print less with hope than apprehension The child had a native grace which does not invariably coexist with faultless beauty It's a tire however simple always impressed the beholder as if it were the very garb that precisely became it best This outward mutability indicated and did not more than fairly express the various properties of her inner life Hester could only account for the child's character and even then most vaguely and imperfectly By recalling what she herself had been during that moment as period while Pearl was imbibing her soul from the spiritual world and her bodily frame from its material of birth" } }, "noisy-4": { "condition": "noisy", "license": "CC BY 4.0 (speech); public domain (noise)", "credit": "Speech: LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0. Noise: \"Restaurant ambience\" by stephan, public domain (pdsounds.org, via Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Restaurant_ambience.ogg). Changed: utterances joined and mixed with the noise at the stated SNR.", "reference": "ON THE SIXTH OF APRIL EIGHTEEN THIRTY THE CHURCH OF JESUS CHRIST OF LATTER DAY SAINTS WAS FORMALLY ORGANIZED AND THUS TOOK ON A LEGAL EXISTENCE ITS ORIGIN WAS SMALL A GERM AN INSIGNIFICANT SEED HARDLY TO BE THOUGHT OF AS LIKELY TO AROUSE OPPOSITION INSTEAD OF BUT SIX REGULARLY AFFILIATED MEMBERS AND AT MOST TWO SCORE OF ADHERENTS THE ORGANIZATION NUMBERS TODAY MANY HUNDRED THOUSAND SOULS IN PLACE OF A SINGLE HAMLET IN THE SMALLEST CORNER OF WHICH THE MEMBERS COULD HAVE CONGREGATED THERE NOW ARE ABOUT SEVENTY STAKES OF ZION AND ABOUT SEVEN HUNDRED ORGANIZED WARDS EACH WARD AND STAKE WITH ITS FULL COMPLEMENT OF OFFICERS AND PRIESTHOOD ORGANIZATIONS THE PRACTISE OF GATHERING ITS PROSELYTES INTO ONE PLACE PREVENTS THE BUILDING UP AND STRENGTHENING OF FOREIGN BRANCHES AND INASMUCH AS EXTENSIVE AND STRONG ORGANIZATIONS ARE SELDOM MET WITH ABROAD VERY ERRONEOUS IDEAS EXIST CONCERNING THE STRENGTH OF THE CHURCH", "transcripts": { "whisper-base.en": "On the 6th of April 1830, the Church of Jesus Christ of Latter-day Saints was formerly organized and thus took on a legal existence. Its origin was small, a germ, and insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members, and at most two square of adherents, the organization numbers today many hundred thousand souls. The place have a single hamlet, in the smallest corner of which the members could have congregated. There now are, about 70 steaks of Zion, and about 700 organized wards, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches, and in as much as extensive and strong organizations are seldom met with the broad, very erroneous ideas exist, considering the strength of the Church.", "whisper-medium.en": "On the 6th of April, 1830, the Church of Jesus Christ of Latter-day Saints was formally organized and thus took on a legal existence. Its origin was small, a germ, an insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members, and at most two score of adherents, the organization numbers today many hundred thousand souls. In place have a single hamlet, in the smallest corner of which the members could have congregated. There now are about seventy stakes of Zion and about seven hundred organized wards, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches, and inasmuch as extensive and strong organizations are seldom met with abroad, very erroneous ideas exist concerning the strength of the Church.", "whisper-small.en": "On the 6th of April, 1830, the Church of Jesus Christ of Latter-day Saints was formally organized and thus took on a legal existence. Its origin was small, a germ, an insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members and at most two score of adherents, the organization numbers today many hundred thousand souls. The place have a single hamlet, in the smallest corner of which the members could have congregated. There now are about 70 stakes of Zion and about 700 organized wards, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches, and inasmuch as extensive and strong organizations are seldom met with abroad, very erroneous ideas exist concerning the strength of the Church.", "whisper-tiny.en": "On the 6th of April 1830, the Church of Jesus Christ of Latter-day Saints was formerly organized and thus took on a legal existence. Its origin was small, a germ, and insignificant seed, hardly to be thought of as likely to arouse opposition. Instead of but six regularly affiliated members, and at most two-sporum adherence, the organization numbers today many hundred thousand souls. The place have a single hamlet. In the smallest corner of which the members could have congregated. There now are about seventy stakes of Zion, and about seven hundred organized worlds, each ward and stake with its full complement of officers and priesthood organizations. The practice of gathering its proselytes into one place prevents the building up and strengthening of foreign branches. And in as much as extensive and strong organizations are seldom met with a broad, very erroneous tidy as exist, considering the strength of the Church." } }, "noisy-5": { "condition": "noisy", "license": "CC BY 4.0 (speech); public domain (noise)", "credit": "Speech: LibriSpeech ASR corpus, (c) 2014 Vassil Panayotov, CC BY 4.0. Noise: \"Restaurant ambience\" by stephan, public domain (pdsounds.org, via Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Restaurant_ambience.ogg). Changed: utterances joined and mixed with the noise at the stated SNR.", "reference": "THE ANALYSIS OF KNOWLEDGE WILL OCCUPY US UNTIL THE END OF THE THIRTEENTH LECTURE AND IS THE MOST DIFFICULT PART OF OUR WHOLE ENTERPRISE WHAT IS CALLED PERCEPTION DIFFERS FROM SENSATION BY THE FACT THAT THE SENSATIONAL INGREDIENTS BRING UP HABITUAL ASSOCIATES IMAGES AND EXPECTATIONS OF THEIR USUAL CORRELATES ALL OF WHICH ARE SUBJECTIVELY INDISTINGUISHABLE FROM THE SENSATION WHETHER OR NOT THIS PRINCIPLE IS LIABLE TO EXCEPTIONS EVERYONE WOULD AGREE THAT IS HAS A BROAD MEASURE OF TRUTH THOUGH THE WORD EXACTLY MIGHT SEEM AN OVERSTATEMENT AND IT MIGHT SEEM MORE CORRECT TO SAY THAT IDEAS APPROXIMATELY REPRESENT IMPRESSIONS AND WHAT SORT OF EVIDENCE IS LOGICALLY POSSIBLE THERE IS NO LOGICAL IMPOSSIBILITY IN THE HYPOTHESIS THAT THE WORLD SPRANG INTO BEING FIVE MINUTES AGO EXACTLY AS IT THEN WAS WITH A POPULATION THAT REMEMBERED A WHOLLY UNREAL PAST ALL THAT I AM DOING IS TO USE ITS LOGICAL TENABILITY AS A HELP IN THE ANALYSIS OF WHAT OCCURS WHEN WE REMEMBER", "transcripts": { "whisper-base.en": "The analysis of knowledge will occupy us until the end of the thirteenth lecture, and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensational ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement, and it might seem more correct to say that ideas approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with a population that remembered a wholly unbridled past. All that I'm doing is to use its logical tonability as a help in the analysis of what occurs when we remember.", "whisper-medium.en": "The analysis of knowledge will occupy us until the end of the thirteenth lecture and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensational ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement, and it might seem more correct to say that ideas approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with a population that remembered a wholly unreal's past. All that I am doing is to use its logical inability as a help in the analysis of what occurs when we remember.", "whisper-small.en": "The analysis of knowledge will occupy us until the end of the 13th lecture and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensational ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement, and it might seem more correct to say that ideas approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with a population that remembered a wholly unreal past. All that I am doing is to use its logical tenability as a help in the analysis of what occurs when we remember.", "whisper-tiny.en": "The analysis of knowledge will occupy us until the end of the 13th lecture and is the most difficult part of our whole enterprise. What is called perception differs from sensation by the fact that the sensation ingredients bring up habitual associates, images and expectations of their usual correlates, all of which are subjectively indistinguishable from the sensation. Whether or not this principle is liable to exceptions, everyone would agree that it has a broad measure of truth, though the word exactly might seem an overstatement, and it might seem more correct to say that I does approximately represent impressions. And what sort of evidence is logically possible? There is no logical impossibility in the hypothesis that the world sprang into being a five minutes ago, exactly as it then was, with a population that remembered a holy unreal past. All that I am doing is to use its logical stability as a help in the analysis of what occurs when we remember." } }, "ami-1": { "condition": "meeting", "license": "CC BY 4.0", "credit": "AMI Meeting Corpus (headset mix and manual annotations v1.6.2), CC BY 4.0, https://groups.inf.ed.ac.uk/ami/corpus/license.shtml (Carletta et al., 2005). Changed: a window cut from the meeting.", "reference": "A kind of dog?\nYep.\nIt's actually sitting, so it's sitting, it's not standing. Okay, I see it as one thing it's very supportive.\nSorry?\nIt's sitting down.\nUh.\nIt's your best friend and your you can talk to a dog, it can be your best friend, it doesn't discriminate between you, based on what you are. Second it's loyal and third thing it's got intuition. dogs can sometimes can make out between a thief and a person so basically these are the three unique features I think belong to a dog. Thank you.\nMm-hmm.\nOkay, thank you.\nYeah I'll have a go.\nOkay.\nSorry.\nPlease, please leave me a space at the bottom, I'm little, you can get to the top, with standing on a chair.\nThanks.\nAlright, okay. Well since you guys have chosen the ones I wanted to do, I'll have to have to go for something a bit random.\nDoes it look like a dog actually?\nOkay.\nAnd also, my drawing skill isn't that great so, yeah.\nWell, as you can see, the quality of the work today is um\nMm.\nI think it's outstandingly good.\nOkay, now I'm gonna have to change what is was originally gonna be because that looks like a beak now, so.\nYeah, it can be a crocodile, it can be a crocodile. Well it was it was an at first firstly it was an attempt at a T_ Rex and then it sort of changed into a pelican but it can be a crocodile now actually.\nCrocodile?\nGonna be a bird.\nIs it gonna be it's gonna be a bird.\nThat's lovely.\nthat's\nYeah and uh I'll have to think on the spot of uh things that it is. Um", "transcripts": { "whisper-base.en": "a kind of dog. Yep. It's actually sitting. Sorry. It's sitting. It's not standing. Okay, I see it as one thing. It's very supportive. It's your best friend in your, you can talk to a dog. It can be a best friend. It doesn't discriminate between you based on what you are. And it's loyal. And third thing, it's got intuition. I mean, dogs can sometimes make out between a thief and a person. So basically, these are the three unique features. I think you belong to a dog. Okay. Thank you. Thank you. Please leave me a space at the bottom on the top standing on a chair. Well, since you guys have chosen their ones, I want it to do. And also, my drawing skill isn't that great. Well, as you can see, the quality of the work today, I think it's so standingly good. Okay, now I'm going to have to change what it was originally going to be, because that looks like a beak now, so crocodile. Yeah, it can be a crocodile. It can be a crocodile. Well, it was, it was a firstly, it was an attempt at T-Rex. And then it sort of changed into a pelican, but it can be a crocodile. That's lovely. Yeah, and I have to think on the spot of the things that it is.", "whisper-medium.en": "A kind of dog? Yep. It's actually sitting, so. Sorry? It's sitting, it's not standing. Okay, I see it as one thing, it's very supportive. It's your best friend in your, you can talk to a dog, it can be your best friend, it doesn't discriminate between you, based on what you are. Second, it's loyal. And third thing, it's got intuition. Means dogs can sometimes make out between a thief and a person, so basically, these are the three unique features I think belong to a dog. Okay, thank you. Thank you. Yeah, okay. Sorry. Please leave me a space at the bottom, I'm little. Oh, right. Get to the top. He's standing on a chair. Well, since you guys have chosen their ones, I wanted to do. Okay. Have to go for something a bit random. And also, my drawing skill isn't that great. Well, as you can see, the quality of the work today is, I think it's outstandingly good. Okay, now I'm gonna have to change what it was originally gonna be, because that looks like a beak now, so. Crocodile? Yeah, it can be a crocodile. It can be a crocodile. Well, it was, firstly, it was an attempt at a T-Rex, and then it sort of changed into a pelican, but it can be a crocodile. That's lovely. Yeah, and I'll have to think on the spot of things that it is.", "whisper-small.en": "a kind of dog yeah it's actually sitting so it's sitting it's not standing okay I see it as one thing it's very supportive it's your best friend in your you can talk to a dog it can be a best friend it doesn't discriminate between you based on what you are second it's loyal and third thing it's got intuition means dogs can some sometimes make out between a thief and a person so basically these are the three unique features I think belong to a dog sorry please leave me a space at the bottom I'm little top standing on a chair since you guys have chosen their ones I wanted to do and also my drawing skill isn't that great well as you can see the quality of the work today I think it's outstandingly good okay now I'm gonna have to change what it was originally because that looks like a big crocodile yeah it can be a crocodile it can be a crocodile firstly it was an attempt at a t-rex and then it sort of changed into a pelican but it can be a crocodile that's lovely yeah and I think on the spot of things that is", "whisper-tiny.en": "A kind of dog? Yep. It's actually sitting. Sorry. It's sitting. It's not standing. OK. I see it as one thing. It's very supportive. It's your best friend in your. You can talk to a dog. It can be a best friend. It doesn't discriminate between you. Based on what you are. Second, it's loyal. And third thing, it's got intuition. I mean, dogs can sometimes make out between a thief and a person. So basically, these are the three unique features I think belong to a dog. OK. Thank you. Thank you. OK. Please leave me a space at the bottom on little. All right. We're standing on a chair. Well, since you guys have chosen their ones, I wanted to do. OK. Absolutely. There's a big dog around them. And also, my drawing skill isn't that great. Well, as you can see, the quality of the work today is them. I think it's that standing. We're good. OK. Now I'm going to have to change what it was originally to be. Because that looks like a beak now, so. Crocodile. Yeah, it can be a crocodile. It can be a crocodile. Well, it was it was the first. Firstly, it was an attempt to a t-rex. And then it sort of changed into a pelican, but it can be a girl. That's lovely. Yeah, and I have to think on the spot of the things that it is." } }, "ami-2": { "condition": "meeting", "license": "CC BY 4.0", "credit": "AMI Meeting Corpus (headset mix and manual annotations v1.6.2), CC BY 4.0, https://groups.inf.ed.ac.uk/ami/corpus/license.shtml (Carletta et al., 2005). Changed: a window cut from the meeting.", "reference": "Fat, a fat cat.\nI've a very fat cat. And it likes to sit like that. Okay.\nOkay.\nAnd you're Francine, right? Would you like like just to see um how it feels, so that you have a little idea?\nYes, I'm Francina. Yes, sure.\nAm I supposed to wipe off that or okay.\nIn\nNo, no. No, that's okay.\nNo, Okay.\nI don't know, we'll get to that later.\nOkay.\nWhat should I draw?\nSnake.\nI'm going to draw a snake.\nHow does it look like?\nOkay. Okay.\nUh, okay.\nI hope the kitty cat is hungry 'cause I don't like snakes.\nHere's the project finance uh which, of course, we all have to think about when we design this thing. Um selling price is supposed to be twenty five Euro.\nUh profit aim for the company is fifty million Euro, the market range unlimited meaning international\nMm-hmm.\nOkay.\nand the production cost should not exceed hopefully should be less than twelve fifty Euro.\nMm 'kay that should keep everybody on their toes and challenged.\nMm-hmm.\nProfit.\nUm is fifty mm.\nSo these are all things, of course, to remember with the budget and when you design to materials, cost, etcetera.\nNow, uh the discussion I guess is um does anyone of you have experience with remote control?\nOops.", "transcripts": { "whisper-base.en": "I have a very fat cat and it likes to sit like that okay okay and your front scene right would you like just to see how it feels so that you have a little idea am I supposed to wipe off that no no that's okay no okay I don't know get to that later okay what should I do I'm going to draw a snake I hope the kitty cat is hungry because I don't like this is a project finance which of course we all have to think about when we design this thing selling price is supposed to be 25 euro profit aim for the company is 50 million euro the market range unlimited meaning international okay and the production cost should not exceed hopefully should be less than 1250 euro okay that should keep everybody on their toes and challenged mm-hmm so these are all the things of course to remember with a budget and when you design to materials cost etc now the discussion I guess is does any one of you have experience with remote control", "whisper-medium.en": "I'm a very fat cat and it likes to sit like that okay okay and you're Francine yes would you like just to see how it feels so that you have a little idea am I supposed to wipe off that no that's okay no okay I don't know get to that later okay I'm going to draw a snake here's a project finance which of course we all have to think about when we design this thing selling price is supposed to be 25 euro profit aim for the company is 50 million euro the market range unlimited meaning international okay and the production cost should not exceed hopefully should be less than 1250 euro okay that should keep everybody on their toes and challenged so these are all the things of course to remember with the budget and when you design to materials cost etc now the discussion I guess is does any one of you have experience with remote control", "whisper-small.en": "I'm a very fat cat and it likes to sit like that okay okay and you're front scene right would you like like just to see how it feels so that you have a little idea am I supposed to wipe off that no that's okay no okay I don't know get to that way okay I hope the kitty cat is hungry because I don't like snakes. There is a project finance, which of course we all have to think about when we design this thing. Selling price is supposed to be 25 euro. Profit aim for the company is 50 million euro. The market range is unlimited, meaning international. And the production cost should not exceed, hopefully it should be less than 1250 euro. That should keep everybody on their toes and challenged. So these are all things of course to remember is about it and when you design, to materials, cost, etc. Now the discussion I guess is does any one of you have experience with remote control?", "whisper-tiny.en": "I'm very fat cat and it likes to sit like that, okay, okay and you're front-scene Yes, I'd like just to see how it feels so that you have a little idea am I supposed to wipe off? No, no, that's okay, no, okay, I don't know, get to that later Okay, what's your lid? I'm going to draw a snake Oh, okay, I hope the kitty cat is hungry because I don't like snakes Here's a project finance, which of course we all have to think about when we design this thing Selling prices supposed to be 25 euro Profit aim for the company is 50 million euro The market range unlimited meaning international, okay, and the production cost should not exceed Hopefully should be less than 12 50 euro Okay, let's keep everybody on their toes and challenged So these are all the things of course to remember with the budget and when you design to materials cost etc Now the discussion I guess is Does any of you have experience with remote control?" } }, "ami-3": { "condition": "meeting", "license": "CC BY 4.0", "credit": "AMI Meeting Corpus (headset mix and manual annotations v1.6.2), CC BY 4.0, https://groups.inf.ed.ac.uk/ami/corpus/license.shtml (Carletta et al., 2005). Changed: a window cut from the meeting.", "reference": "Then we've got our first tool training. We are going to work with a lot of high-tech tools here, so it's it's handy if we have a little bit of training first. As you can see we've got the smart boards here and here in the white board. Um in the white board here there's a little tool bar on this side. Here are some functions. You can save. uh these functions we don't have anything to do with, only undo, you can undo a little\nuh piece of drawing. A blank new document for each person. Uh select a pen, eraser. Capture we don't have to do anything with. Uh then we've got our pen. This pen. It's really funny because you can draw with it on this page um in the think it is form of. You can also select the current colour and the line width. But then first you have to select the pen function. But we're going to work with it in a minute. So okay. Uh that's very simple and it's easy to uh draw your findings and drawings on there.\n'Kay.\nHmm.\nUh then\na short thing about documents. We've got our shared folder, uh project project what was it? Project documents I think. But all you will found that already because there are a lot of documents in it already, so it will be okay. And these are available on the smart boards as well, so if you have a document you wanna show, just open it from the folder.\nOkay.\nYeah.\nHere is a simple tool bar. It's what I just said, it's save, print, move back or forward one page. You can switch between the different drawings.", "transcripts": { "whisper-base.en": "Then we've got our first tool training. We're going to work with a lot of high-tech tools here. So it's handy if we have a little bit of training first. As you can see, we've got the smartboards here and here, and the whiteboard. In the whiteboard here, there's a little toolbar on this side. Here are some functions we can save. These functions we don't have anything to do with. Only undo, you can undo a little piece of drawing. A blank new document for each person. Select a pen, razor, capture, we don't have to do anything with. Then we've got our pen, this pen. It's really funny because you can draw with it on this page. In the thing it is formal. You can also select the current color and the line width. Then first you have to select the pen function. We're going to work with it in a minute. That's very simple and it's easy to draw your findings and drawings in there. Then a short thing about documents. We've got our shared folder, project. Project documents, I think. But all of you will found it already because there are a lot of documents in it already, so it will be okay. These are available on the smartboards as well. So if you have a document you want to show, just open it from the folder. Here's the simple toolbar. It's what I just said, it's safe, print, move back or forward one page. You can switch between the different drawings.", "whisper-medium.en": "Then we've got our first tool training. We're going to work with a lot of high-tech tools here. So it's handy if we have a little bit of training first. As you can see, we've got the smart boards here and here, and the whiteboard. In the whiteboard here, there's a little toolbar on this side. Here are some functions we can save. These functions we don't have anything to do with, only undo. You can undo a little piece of drawing. A blank new document for each person. Select a pen, a razor, a capture we don't have to do anything with. Then we've got our pen. This pen. It's really funny because you can draw with it on this page. In the format, you can also select the current color and the line width, but then first you have to select the pen function, but we're going to work with it in a minute. It's very simple and it's easy to draw your findings and drawings on there. One short thing about documents. We've got our shared folder, project documents, I think, but you all found that already because there are a lot of documents in it already, so it will be okay. These are available on the smart boards as well. So if you have a document you want to show, just open it from the folder. Here is the simple toolbar. It's what I just said. It's save, print, move back or forward one page. You can switch between the different drawings.", "whisper-small.en": "Then we've got our first tool training. We're going to work with a lot of high-tech tools here. So it's handy if we have a little bit of training first. As you can see, we've got the smart boards here and here, and the white board. In the white board here, there's a little toolbar on this side. Here are some functions we can save. These functions we don't have anything to do with. Only undo, you can undo a little piece of drawing. A blank new document for each person. Select a pen, eraser, capture we don't have to do anything with. Then we've got our pen. This pen. It's really funny because you can draw with it on this page. I think it is formal. You can also select the current color and the line width, but then first you have to select the pen function. We're going to work with it in a minute. It's very simple and it's easy to draw your findings and drawings on there. Then a short thing about documents. We've got our shared folder, project documents, but you all found that already because there are a lot of documents in it already, so it will be okay. These are available on the smart boards as well. So if you have a document you want to show, just open it from the folder. Here is a simple toolbar. It's what I just said, it's save, print, move back or forward one page. You can switch between the different drawings.", "whisper-tiny.en": "Then we've got our first tool training. We're going to work with a lot of high-tech tools here. So it's handy if we have a little bit of training first. As you can see, we've got the smart boards here and here and the white board. In the white board here, there's a little toolbar on this side. Here are some functions. We can save these functions. We don't have anything to do with. Only undo, you can undo a little piece of drawing. A blank new document for each person. Select a pen, a razor. Captured we don't have to do anything with. Then we've got our pen. This pen is really funny because you can draw with it on this page. In the thing, it is four months. You can also select the current color and the line width. With that first, you have to select the pen function. But we're going to work with it in a minute. Okay. That's very simple and it's easy to draw your findings and drawings on there. Then a short thing about documents. We've got our shared folder. Project documents. I think. You will find that already because there are a lot of documents in it already. We'll be okay. These are available on the smart boards as well. If you have a document you want to show, just open it from the folder. Here is the simple toolbar. This is what I just said. Save, print, move back or forward one page. You can switch between the different drawings." } }, "ami-4": { "condition": "meeting", "license": "CC BY 4.0", "credit": "AMI Meeting Corpus (headset mix and manual annotations v1.6.2), CC BY 4.0, https://groups.inf.ed.ac.uk/ami/corpus/license.shtml (Carletta et al., 2005). Changed: a window cut from the meeting.", "reference": "I don't know about that. I mean it's the speaker characterisation is a bit like you said. I mean it's like a nice thing. We don't we're not actually sure what the user wants with it, but it's interesting, so why not give it to him.\nHmm.\nYeah yeah.\nRight.\nYeah, well\nI I think we should do it. I mean\nYeah. I mean I guess maybe we could have that as another thing of like, well if you get the speaker characterisation that someone talks a lot in uh a certain topic, and then if you, I don't know, click on that topic, you get everything that's in that topic or whatever. And in that way but I don't know.\nYeah, I mean that's that's still another level further. I mean we're not even there yet. You know, it doesn't even doesn't even pop up the speaker characterisation yet. we have to first define what what happens when you click on a user.\nNo no no. Yeah.\nOh yeah.\nWe have to have a speaker characterisation first before we cross any of the other bridges. So yeah, there you go.\nYeah. Yes. So should we try try to do a right-click when you then\nYeah. True, yeah.\nYeah. Alright. Why not.\nYeah.\nIs that just from the main main window? Is that is that from any particular window, like if we wanna sorta get like if we were on the users versus like topic or something, have a right-click from for these various things to yeah.\nSorry?\nEven if only one thing comes up.\nYeah. Yes. Wait. Yeah, there's a second thing about the topics, the topic window. We wanna somehow click be able to click on a topic and it pops up with all the meetings that contain that. Yeah? So we could do that in a similar way, do it right-click as well. And to have a different menu for our\nRight, yeah. Yep.\nYeah.\nOkay. So and so this lot is for um\nOkay, yeah.\nNow it's consistent throughout. So, yeah.\nYeah.\nOn the speaker.\nSo yeah. So we have basically two options of of browsing the meetings is by either um searching and opening individual observations. And when then we have the interlinking by right-click basically.\nAnd then this lot is on\nRight.\nActually yeah, like um another common thing, like if we have it so it's set up that um if you double-click and it goes to a default thing on the menu, I mean that's kind of a typical kinda action that would happen. If you double-click on a particular topic or something, then it goes to sort of a like a default view, so it'll be like all the um cases of that topic, either whatever we decide the default to be, whether it's in all meetings or just in one meeting, and just show up the the particular instances of that topic in a meeting. Like I'm just thinking to have the default there, so if somebody knows exactly what they wanna do and we know that that's the most common thing that's gonna happen, so the double-click will do that and so save them the trouble of right-clicking and choosing the item on the menu.\nDouble-click\nOh.\nHmm.\nYeah.\nI don't see there's anything obvious that was that would be able, you know, that would be\nYeah.\nWell, it might come to us as we start playing with it.\nYeah.\nWhat was that? I didn't quite understand. Do you mean\nUm like we have the the right-click menu. You'll have the menu, right-click it, but instead of like have a default double-click, so if there's a so it'll be a choice from the menu but yeah, exactly. Yeah.\nUh just let\nYeah.\nOh, so and it figures out what's the most common use to double-click. Oh. Okay.\nYep.\nYeah.\nLike, I don't know, show the speaker characterisation for instance. Or just I don't know.\nYeah.\nYeah, but then then there's the problem with a lot of windows popping up again. And they pop up without you even being quite sure what it is, you know what I mean?\nYeah.\nHmm.", "transcripts": { "whisper-base.en": "I don't know about that. I mean, the speaker characterisation is a bit like he said. I mean, it's like a nice thing. We don't, we're not actually sure what the user wants with it, but it's interesting, so why don't give it to him. Yeah, yeah. I think we should do it. I mean, yeah. I mean, I guess maybe we could have that as another thing of, like, well, if you get the speaker characterization that someone talks a lot in a certain topic, and then if you, I don't know, click on that topic, you get everything that's in that topic, or whatever. Yeah, I mean, if that's still another level further, I mean, we're not even there. No, no, no, no, no. Because I'm probably the speaker characterization, yeah. We have to first define what happens when you click on a user. Well, if they have a speaker characterisation first before we cross the other side. Yeah. So, should we try to do a right click when you then? Yeah. All right. Well, is that just from the main? Sorry. Even if any one thing comes in. Is that a particular window? Like, if we want to sort of get, like, if we're on the users versus, like, a topic or something, have a right click for these various things. Yeah. Wait. Yeah. There's a second thing about the topics, the topic window. You want to somehow click, be able to click on a topic and it pops up with all the meetings that contain that. Right. Yeah. Yeah. So we could do that in a similar way. Well. Okay. So this is for, um, consistent round. Yeah. Okay. On the speaker. So, yeah. So we have basically two options of browsing the meetings is by either searching and opening individual observations and then we have the interlinking by right click basically. Right. Actually, yeah. Like another common thing, like, if we have it, so it's set up that, um, if you double click and it goes to a default thing on the menu, I mean, that's kind of a typical kind of action. Double click. If you double click on a particular topic or something, then it goes to sort of like a default. Oh. So it will be like all the cases of that topic, either whatever we decide the default to be, whether it's in all meetings or just in one meeting and just show up the particular instances of that topic in the meeting. Like, and just think to have the default there. So if somebody knows exactly what they want to do and we know that that's the most common thing that's going to happen. So the double click will do that and say from the trouble of right clicking and choosing the item on the menu. I don't see there's anything obvious that that would be able. Yeah. That would be. Might come to us. Start playing with it. What was that? I think I understand. Like we have the right click menu. Yeah. Right click. But instead of like, have a default double click. And it will be a choice coming up. It's the most common. Yeah, exactly. Yeah. Use the double click. Like, I don't know. Show the speaker characterization. Yeah. Then there's a problem with a lot of windows popping up again and they pop up without you even being quite sure what it is.", "whisper-medium.en": "I don't know about that. I mean, the speaker characterization is a bit like you said. I mean, it's like a nice thing. We're not actually sure what the user wants with it, but it's interesting, so why not give it to him? Yeah, yeah. I think we should do it, I mean. Yeah. I mean, I guess maybe we could have that as another thing of like, well, if you get speaker characterization that someone talks a lot in a certain topic, and then if you, I don't know, click on that topic, you get everything that's in that topic or whatever. Yeah, I mean, that's still another level further. I mean, we're not even there yet, you know. No, no, no. Yeah, pop up the speaker characterization yet. We have to first define what happens when you click on a user. We have to have the speaker characterization first before we cross any other way. Yeah. So should we try to do a right-click menu then? Yeah. All right. Why not? Is that just from the main? Sorry? Even if any one thing comes up. Is that from any particular window? Like if we want to sort of get, like if we're on the users versus like a topic or something, have a right-click for these various things? Yes. Wait, yeah. There's a second thing about the topics. The topic window, where you want to somehow click, be able to click on a topic, and it pops up with all the meetings that contain that. Right, yeah. Yeah? Yeah. So we could do that in a similar way, do it right-click as well. Okay. So this stuff is for- Consistent throughout. Yeah. On the speaker. So, yeah, so we have basically two options of browsing the meetings is by either searching and opening individual observations, and then we have the interlinking by right-click, basically. Right. Actually, yeah, like another common thing, like if we have it sort of set up that if you double-click and it goes to a default thing on the menu, I mean, that's kind of a typical kind of action. Double-click. If you double-click on a particular topic or something, then it goes to sort of like a default view, so it'll be like all the cases of that topic, either whatever we decide the default to be, whether it's in all meetings or just in one meeting, and just show up the particular instances of that topic in the meeting. Like, and just think it to have the default there, so if somebody knows exactly what they want to do, and we know that that's the most common thing that's going to happen, so the double-click won't do that, and just save them the trouble of right-clicking and choosing the item on the menu. I didn't see there's anything obvious that would be able, you know, that would be... It might come to us to start playing with it. What was that? I don't quite understand. Do you mean... Like we have the right-click menu, right-clicking, but instead of, like, have a default double-click, so it'll be a choice from the menu. Oh, so it figures out what's the most common use to double-click. Like, I'm not sure of the speaker characterization, for instance, or... Then there's the problem with a lot of windows popping up again, and they pop up without you even being quite sure what it is, you know what I mean?", "whisper-small.en": "I don't know about that I mean it's the speaker characterization is a bit like you said I mean it's like a nice thing we don't we're not actually sure what the user wants with it but it's interesting so why not give it to him. I think we should do it I mean I mean I guess maybe we could have that as another thing of like well if you get to speak characterization that someone's talks a lot in a certain topic and then if you I don't know click on that topic you get everything that's in that topic yeah I mean that's that's still another level further I mean we're not even there yet. No no no, pop up the speaker characterization yet. We have to first define what happens when you click on a user. We have to have a speaker characterization for this before we cross any of the others. So should we try to do a right click menu then? Yeah all right why not? Is that just from the main? Even if any one thing comes up? Is that from any particular window? Like if we want to sort of get like if we're on the users versus like a topic or something have a right click from these various things? Yes wait yeah there's a second thing about the topics the topic window where you want to somehow click be able to click on the topic and it pops up with all the meetings that contain that right yeah yeah so we could do that in a similar way do it right click as well. Okay so this is for consistent round yeah on the speaker. So yeah so we have basically two options of browsing the meetings is by either searching and opening individual observations and when then we have the interlinking by right click basically right actually yeah like another common thing like if we have it so it's set up that if you double click and it goes to a default thing on the menu I mean that's kind of a typical kind of action double click if you double click on a particular topic or something then it goes to sort of like a default so it will be like all the keys of that topic either whatever we decide the default to be whether it's in all meetings or just in one meeting and just show up in particular instances of that topic in the meeting like and just think it to have the default there so if somebody knows exactly what they want to do and we know that that's the most common thing that's going to happen so the double click won't do that and just save them the trouble of right clicking and choosing the item on the menu I don't see there's anything obvious that was that would be able that would be might come to us start playing with it what was that I think I understand you mean like we have the right click menu yeah right click but instead of like have a default double click so it'll be a choice what's the most common yeah exactly yeah like I'm not show the speaker characterization yeah then there's a problem with a lot of windows popping up again and they pop up without you being quite sure what it is you know", "whisper-tiny.en": "I don't know about that. I mean, the speaker characterisation is a bit like he said. I mean, it's like a nice thing. We don't know. We're not actually sure what the user wants with it, but it's interesting. So why don't you give it to him. Yeah, yeah. I think we should do it. Yeah. I mean, I guess maybe we could have that as another thing of like, well, if you get to speak characterization that someone talks a lot in a certain topic. And then if you, I don't know, click on that topic, you get everything that's in that topic. Yeah. And that's still another level further. I mean, we're not even there yet. I don't know. There's a pop of the speaker characterization yet. You have to first define what happens when you click on a user. If they have a speaker characterisation first before we cross on the other side. Yeah. So should we try to do a right click when you then? Yeah. All right. Why not such is from the main? No. Even if any one thing comes in a particular window. Like if we want to sort of get like if we're on the users versus like a topic or something that we have a right for these various things. Yes. Yeah. There's a second thing about the topics. The topic window. When you want to somehow click, be able to click on the topic and it pops up with all the meetings that contain that. Right. Yeah. Yeah. So we could do that in a similar way. Do it right for as well. Okay. Yeah. Yeah. Yeah. So we have basically two options of browsing the meetings is by either searching and opening individual observations. And then we have the interlinking by right click basically. Right. Actually, yeah. Like another common thing. Like if we have it sort of set up that if you double click and it goes to a default thing on the menu. I mean, that's kind of a typical kind of action. Double click. If you double click on a particular topic or something then it goes to sort of like a default. Oh. So it'll be like all the cases of that topic. Either whatever we decide the default to be, whether it's in all meetings or just in one meeting. And just show up the particular instances of that topic in the meeting. Like and just think to have the default there. So if somebody knows exactly what they want to do and we know that that's the most common thing that's going to happen. Yeah. So that we're going to do that and just say from the trouble of right clicking and choosing the item on the menu. I don't see there's anything obvious that that would be able to know that would be. Might come to us. Start playing with it. What was that? I think I understand. Like we have the right click menu. Yeah. When you're right clicking. But instead of like, have a default double click. It'll be a choice. Because that was the most common. Exactly. You used to double click. Yeah. Like I don't show the speaker characterization. Yeah. Or then there's a problem with a lot of windows popping up again. And they pop up without you even being quite sure what it is." } }, "edacc-1": { "condition": "accented", "license": "CC BY-SA 4.0", "credit": "The Edinburgh International Accents of English Corpus (EdAcc), Sanabria, Markl, Carmantini, Klejch, Bell and Bogoychev, University of Edinburgh, 2025, doi:10.7488/ds/7914, CC BY-SA 4.0. Changed: a window cut from the conversation. The reference transcript is shared under CC BY-SA 4.0.", "reference": "on seat or chilling by the trees so just nature is so close even though it's\nmm hmm\nthe city right the city center is right there\nyeah i agree that is very cool\nleast favorite thing well first thing that comes to mind is ambulances\nedinburgh is crazy with its ambulances they are their sirens are always so loud and it's haven't seen any other city's ambulances be like this\nmm hmm\ni don't know\nyeah they're quite annoying well for me\nhow about you\nmy favorite thing is probably old flowers in the spring especially the sequoia trees and the meadows and these yellow bushes around hollyrood park and their smell like they smell like coconuts to me and i also really like the the view from appleton especially ninth floor it's amazing and what's your least favorite thing i think my least favorite thing about edinburgh is definitely the wind because yeah sometimes it's just it just makes it feel so much colder i don't like wind\nuh huh well luckily it's getting closer to summer so there will be less of that more of warm days than you can expect", "transcripts": { "whisper-base.en": "on our first seat are chilling by the trees. So nature is so close even though this city center is right there. Yeah, I agree that is very cool. Least favorite thing? Well, first thing that comes to mind is ambulances. Edinburgh is crazy with its ambulances. Their sirens are always so loud and it's haven't seen any other city's ambulances be like this. I don't know. Yeah, there are quite annoying. What about you? My favorite thing is probably on the flowers in the spring especially the sakura trees and the meadows and these yellow bushes around Holyrood Park and their smell. They smell like coconuts to me. And I also really like the view from Appleton, especially on the floor. It's amazing. And what's your least favorite thing? I think my least favorite thing about Edinburgh is definitely the wind because yeah sometimes it's just it makes it feel so much colder. I don't like wind. Uh huh. Well, luckily it's getting closer to summer so there will be less of that more of foreign days you can expect.", "whisper-medium.en": "on our first seat or chilling by the trees. So just nature is so close, even though this city center is right there. Yeah, I agree. That is very cool. Least favorite thing. Well, first thing that comes to mind is ambulances. Edinburgh is crazy with its ambulances. Their sirens are always so loud and I haven't seen any other city's ambulances be like this. I don't know. Yeah, they are quite annoying. My favorite thing is probably all the flowers in the spring, especially the sakura trees and the meadows and these yellow bushes around Holyrood Park. And their smell, they smell like coconuts to me. And I also really like the view from Appleton, especially 9th floor. It's amazing. And what's your least favorite thing? I think my least favorite thing about Edinburgh is definitely the wind, because, yeah, sometimes it just makes it feel so much colder. I don't like wind. Well, luckily, it's getting closer to summer, so there will be less of that, more of warm days than we can expect.", "whisper-small.en": "on our first seat or chilling by the trees so just nature is so close even though it's this city center is right there. Yeah I agree that is very cool. Least favorite thing. Well first thing that comes to mind is ambulances. I don't press crazy with its ambulances they are their sirens are always so loud and it's haven't seen any other city's ambulances be like this. I don't know. Yeah they are quite annoying. My favorite thing is probably on the flowers in the spring especially the sakura trees and the meadows and these yellow bushes around Holyrood Park and they smell like coconuts to me. And I also really like the view from Appleton especially 9 floor it's amazing. And what's your least favorite thing? I think my least favorite thing about ever is definitely the wind because yeah sometimes it's just it makes it feel so much colder. I don't like wind. Well luckily it's getting closer to summer so there will be less of that more of warm days we can expect.", "whisper-tiny.en": "on our first seat or chilling by the trees. So just nature is so close even though this city center is right there. Yeah, I agree. That is very cool. At least favorite thing. Well, first thing that comes to mind is ambulances. I don't risk crazy with its ambulances. They are their sirens are always so loud and it's haven't seen any other cities ambulances be like this. I don't know. Yeah, they are quite annoying. My favorite thing is probably on flowers in the spring, especially the secretries and the medams. And these yellow bushes around all their root park. And their smell. Like they smell like coconuts to me. And I also really like the view from Appleton, especially Nine of the Floor. It's amazing. And what's your at least favorite thing? I think my least favorite thing about it is definitely the wind. Because yeah, sometimes it's just it makes it feel so much colder. I don't like wind. Uh-huh. Well, luckily it's getting closer to summer. So there will be less of a more foreign days we can expect." } }, "edacc-2": { "condition": "accented", "license": "CC BY-SA 4.0", "credit": "The Edinburgh International Accents of English Corpus (EdAcc), Sanabria, Markl, Carmantini, Klejch, Bell and Bogoychev, University of Edinburgh, 2025, doi:10.7488/ds/7914, CC BY-SA 4.0. Changed: a window cut from the conversation. The reference transcript is shared under CC BY-SA 4.0.", "reference": "\ntv show or cartoon as a child and what was it about\noh that's oh i don't remember those things \ni know it's so weird right like suddenly like sometimes you randomly think about this stuff but then suddenly if you're asked to think about it you're like aah what did i do as a child i don't know i was a child\n\nthe child things\nwell (()) i just watched anything that was on tv to be fair and i wasn't i wasn't a great fan of books when i was little which is such a shame to be fair i mean like got into it in maybe middle school or so mm but i really i just like i i really preferred watching cartoons to good films and i don't i don't even know what i was watching to be fair \n i know like um like my parents bought me a lot of books so i used to always read a lot\nmm\nas a kid like enid blyton and all the children's books you know most of the classic ones i've\nyeah\nhad read um well watching stuff like in india we didn't really have um like cartoon network so you had to wait sunday morning for one hour of gi joe\nyeah \nit was kind of like that and then that was a channel that started to stink on disney hour\nmm hmm\nso every day for one hour you could watch like disney cartoons and stuff which was cool and then we moved to the middle east and there like my dad didn't get a cable connection because my brother and i would not study we'd just watch tv\n\nall day so he cut the cable and so we watched stuff in arabic like we didn't know anything about arabic we'd just watch just the tv would be on and we would stare at it", "transcripts": { "whisper-base.en": "TV show of card June as a child and what was it about? Oh, I don't remember those things. I know it's so weird, right? Like, suddenly, like, sometimes you randomly think about this stuff, but then suddenly if you ask to think about it, you're like, what did I do as a child? I don't know. I was a child. The child things. I think I just watched anything that was on TV to be fair. And I wasn't, I wasn't a great fan of books when I was little, which is such a shame to be fair. I only like got into it in maybe middle school or so, but I really just like, I really preferred watching cartoons to films and I don't even know what I was watching to be fair. I don't like, like my parents bought me a lot of books so I used to always read a lot as I feel like, you know, Bligeon and all the children's books, you know, most of the classic ones I've had read while watching stuff, like in India, we didn't really have, like, carto network. So you have to wait Sunday morning for one hour of June. It's kind of like that. And then there was a channel that started to think called Disney Hour. So every day for one hour, you watch like Disney cartoons and stuff, which was cool. And then we moved to the Middle East and there, like my dad didn't get a cable connection because my brother and I would not study, we'd just watch TV all day. So he got the cable and so we watched stuff in Arabic, like we didn't know anything about Arabic. We just watched, Stevie would be on and we would stare at it.", "whisper-medium.en": "TV show or cartoon as a child and what was it about? Oh, I don't remember those things. I know it's so weird right like suddenly like sometimes you randomly think about this stuff but then suddenly if you're asked to think about it you're like what did I do as a child I don't know I was a child I did child things. I think I just watched anything that was on TV to be fair and I wasn't a great fan of books when I was little which is such a shame to be fair. I only like got into it in maybe middle school or so but I really just like I really preferred watching cartoons to films and I don't even know what I was watching to be fair. I don't know like my parents bought me a lot of books I used to always read a lot as a kid like you know Blayton and all the children's books you know most of the classic ones are hard read while watching stuff like in India we didn't really have like cartoon network so you had to wait Sunday morning for one hour of JHU it was kind of like that and then there was a channel that started this thing called Disney Hour so every day for one hour you could watch like Disney cartoons and stuff which was cool and then we moved to the Middle East and there like my dad didn't get a cable connection because my brother and I would not study we'd just watch TV all day so he got the cable and so we would watch stuff in Arabic like we didn't know anything about Arabic we'd just watch TV would be on and we would stare at it.", "whisper-small.en": "TV show of cartoon as a child, and what was it about? Oh, I don't remember those things. I know it's so weird, right? Like suddenly, sometimes you randomly think about this stuff, but then suddenly, if you're asked to think about it, you're like, what did I do as a child? I don't know what was a child. I did child things. Well, I think I just watched anything that was on TV, to be fair. And I wasn't a great fan of books when I was little, which is such a shame, to be fair. I mean, I got into it in maybe middle school or so. But I really just like, I really preferred watching cartoons to films, and I don't even know what I was watching, to be fair. I know, like my parents bought me a lot of books, so I used to always read a lot, as a kid, like, you know, Blyton and all the children's books, you know, most of the classic ones I had read. But watching stuff, like, in India, we didn't really have, like, cartoon network. So you had to wait Sunday morning for one hour of JoJo. It was kind of like that. And then there was a channel that started this thing called Disney Hour. So every day, for one hour, you could watch, like, Disney cartoons and stuff, which was cool. And then we moved to the Middle East. And there, like, my dad didn't get a cable connection because my brother and I would not study. We'd just watch TV all day. So he got the cable, and so we would watch stuff in Arabic. Like, we didn't know anything about Arabic. We'd just watch. TV would be on, and we would stare at it.", "whisper-tiny.en": "TV show of cartoon as a child, and what was it about? Oh, I don't remember those things. I know it's so weird, right? Like suddenly, sometimes you randomly think about this stuff, but then suddenly, if you ask to think about it, you're like, hmm, what did I do as a child? I don't know if it was a child to child things. I think I just watched anything that was on TV to be fair. And I wasn't a great fan of books when I was little, which is such a shame to be fair. Only got into it in maybe middle school or so, but I really just like, I really preferred watching cartoons to films, and I don't even know what I was watching to be fair. Oh, I don't like it. Like my parents bought me a lot of books, so I used to always read a lot as a kid, like in a hygiene and all the children's books, and most of the classic ones had read more watching stuff. Like in India, we didn't really have like cartoon network. So you have to wait Sunday morning for one hour of jail to do. It was kind of like that. And then there was a channel that started to think called Disney all, so every day for one hour, it was like Disney cartoons and stuff, which was cool. And then we moved to the Middle East and there, like my dad didn't get a cable connection because my brother and I would not study, we'd just watch D&M today. So he got the cable and so we watched stuff in Arabic, like we didn't know anything about Arabic, we'd just watch, just he would be on and we would stare at it." } }, "edacc-3": { "condition": "accented", "license": "CC BY-SA 4.0", "credit": "The Edinburgh International Accents of English Corpus (EdAcc), Sanabria, Markl, Carmantini, Klejch, Bell and Bogoychev, University of Edinburgh, 2025, doi:10.7488/ds/7914, CC BY-SA 4.0. Changed: a window cut from the conversation. The reference transcript is shared under CC BY-SA 4.0.", "reference": "no\nit has these um five colors and uh it's it's something like a small um board i have to um i select five colors and you have to guess what the colors are from um you have i think about ten chances and and i i i never tell you what the colors are but i score um with how many colors you have got it right that was that was very interesting when you were a kid what sort of games did you play\num we used to we used to play running games cricket and for indoor games we used to play ludo and um snake and ladders things like that\ni remember snake and ladders too and i think you also liked scrabble right\nyeah but not when i was really young\nokay so the second question did you have a favorite book or film or tv show or cartoon as a child\num yes it was robin hood\n okay i know robin hood too but um would you like to um record what it was about", "transcripts": { "whisper-base.en": "It has these five colours and it's something like a small board. I have to, I say like five colours and you have to guess what the colours are from, you have I think about ten chances and I never tell you what the colours are but I score how many colours you have got to try that was, that was very interesting. Can you repeat what sort of games did you play? No, we used to, we used to play running games triggered and far in those games, we used to play Ludo and Snake and Ladders, things like that. I remember Snake and L and I think you also like Scrubber, right? Yeah, but not when I was very young. Okay, so the second question, did you have a favourite book or film or TV show or cartoon as a child? Yes, first Robin wrote. Okay, I know Robin Hood too, but would you like to record what it was about?", "whisper-medium.en": "No, it has these five colors and it's something like a small board. I have to, I select five colors and you have to guess what the colors are from, you have I think about 10 chances and I never tell you what the colors are but I score, how many colors you have got it right, that was very interesting. When you were a kid what sort of games did you play? No, we used to, we used to play running games, cricket and for indoor games we used to play ludo and snake and ladders, things like that. I remember snake and ladders too and I think you also liked Scrubble, right? Yeah, but not when I was married. Okay, so the second question, did you have a favorite book or film or TV show, a cartoon as a child? Yes, it was Robin Hood. Okay, I know Robin Hood too but would you like to record what it was about?", "whisper-small.en": "It has these five colors and it's something like a small board. I have to, I select five colors and you have to guess what the colors are from, you have I think about 10 chances and I never tell you what the colors are, but I score. How many colors you have got it right, that was very interesting. When you were a kid, what sort of games did you play? We used to, we used to play running games cricket and for indoor games, we used to play ludo and snake and lettuce, things like that. I remember snake and lettuce too, and I think you also liked Scrabble, right? Yeah, but not when I was very young. Okay, so the second question, did you have a favorite book or film or TV show or cartoon as a child? Yes, it was Robin Hood. Okay, I know Robin Hood too, but would you like to record what it was about?", "whisper-tiny.en": "No. It has these five colors and it's something like a small tool. I have to, I see like five colors and you have to guess what the colors are from. You have, I think, about 10 chances and I, I, I never tell you what the colors are but I score. We, how many colors you have got it right, that was, that was very interesting. When you were a kid, what sort of games did you play? No. We used to, we used to play running games, cricket and fun in those games. We used to play ludo and snake and lettuce, things like that. I remember sticking lettuce too. And I think you also liked Scrabble. Right? Yeah, but not when I was very young. Okay. So the second question, did you have a favorite book or film or TV show or cartoon as a child? Yes, first of all, you don't. Okay. I love Robin Hood too, but would you like to record what it was about?" } }, "edacc-4": { "condition": "accented", "license": "CC BY-SA 4.0", "credit": "The Edinburgh International Accents of English Corpus (EdAcc), Sanabria, Markl, Carmantini, Klejch, Bell and Bogoychev, University of Edinburgh, 2025, doi:10.7488/ds/7914, CC BY-SA 4.0. Changed: a window cut from the conversation. The reference transcript is shared under CC BY-SA 4.0.", "reference": "thank you\nyeah that is like a like a just that's something very normal here and uh yeah what do you have for uh breakfast today or for lunch or dinner\nokay so i've usually i don't have breakfast like during my normal day i try to skip breakfast even though it's important but i don't have breakfast usually so for lunch since here i can't really find my home food i prefer to eat like rice with potatoes and chicken so i can say that's my go to lunch dip um food that's what i eat too for my lunch and then dinner dinner it's va it varies maybe i can have my spaghetti or macaron get this va various things and i prefer cooking even though i can go to the canteen like my school's canteen it's really really nice but sometimes i prefer cooking by myself what about you\nyeah i also like cooking by myself yeah as i said especially when i'm abroad for this semester uh everything here is expensive and the what is the most expensive is spending your money in a restaurant uh the restaurants here are just crazy they just charge me like uh twice or a third times of the like a price in china so just back in university in china i can just have my break breakfast dinner lunch at a cafeteria at that school hall but here everything has to be just made by myself or i have to pay a very large amount of money to just have feed myself in some restaurants like that so i just cook on my by myself usually but today i don't know why but the oven was somehow like it's not working so i just had to get out to have some fast food and maybe tomorrow it's going to be fixed but or maybe not so that's a little bit problematic yeah", "transcripts": { "whisper-base.en": "Yeah, that is like something very normal here and what do you have for a breakfast today or for lunch or dinner? Okay, so usually I don't have breakfast like during my normal day I try to skip breakfast even though it's important but I don't have breakfast usually. So for lunch since here I can't really find my home food. I prefer to eat like rice with potatoes and chicken so I can say that's my go-to lunch food. But I eat for my lunch and then dinner, dinner is where it varies. Maybe I can have spaghetti or macaron, just various things. And I prefer cooking even though I can go to the kitchen like my school's kitchen. It's really really nice but sometimes I prefer cooking by myself. What about you? I also like cooking by myself. As I said, especially when I'm abroad for this semester, everything here is expensive and the most expensive is spending your money in a restaurant. The restaurants here are just crazy. They just charge me like twice or a third times of the record price in China. So just back in university in China, I can just have my breakfast dinner lunch at a cafeteria at that school hall. But here everything has to be made by myself or I have to pay very large amount of money to just feed myself things and restaurants like that. So I just cook by myself usually. But today, I don't know why but the oven was somehow not working so I just had to go out to have some fast food and maybe tomorrow is going to be fixed or maybe not. So that's a little bit problematic.", "whisper-medium.en": "Yeah, that is like just something very normal here. And yeah, what do you have for breakfast today or for lunch or dinner? Okay, so usually I don't have breakfast. Like during my normal day, I try to skip breakfast, even though it's important, but I don't have breakfast usually. So for lunch, since here I can't really find my home food, I prefer to eat like rice with potatoes and chicken. So I can say that's my go-to lunch food. That's what I eat for my lunch. And then dinner, it varies. Maybe I can have spaghetti or macaron, just various things. And I prefer cooking, even though I can go to the canteen. Like my school's canteen, it's really, really nice, but sometimes I prefer cooking by myself. What about you? Yeah, I also like cooking by myself. Yeah, as I said, especially when I'm abroad for this semester, everything here is expensive. And what is the most expensive is spending your money in a restaurant. The restaurants here are just crazy. They just charge me like twice or third times of the regular price in China. So just back in university in China, I can just have my breakfast, dinner, lunch at a cafeteria, at that school hall. But here, everything has to be just made by myself, or I have to pay very large amount of money to just feed myself in some restaurants like that. So I just cook by myself usually. But today, I don't know why, but the oven was somehow like not working. So I just had to go out to have some fast food, and maybe tomorrow it's gonna be fixed, or maybe not. So that's a little bit problematic, yeah.", "whisper-small.en": "Yeah, that is like, like, just something very normal here. And yeah, what do you have for breakfast today? Or for lunch or dinner? Okay, so usually I don't have breakfast, like, during my normal day, I try to skip breakfast, even though it's important, but I don't have breakfast usually. So for lunch, since here I can't really find my home food, I prefer to eat, like, rice with potatoes and chicken. So I can say that's my go-to lunch food. That's what I eat for my lunch. And then dinner, dinner it varies. Maybe I can have spaghetti or macaron, just various things. And I prefer cooking, even though I can go to the canton, like, my school's canton. It's really, really nice, but sometimes I prefer cooking by myself. What about you? Yeah, I also like cooking by myself. Yeah, as I said, especially when I'm abroad for this semester, everything here is expensive. And what is the most expensive is spending your money in a restaurant. The restaurants here are just crazy. They just charge me like twice or third times of the regular price in China. So just back in university in China, I can just have my breakfast, dinner, lunch at a cafeteria, at that school hall. But here, everything has to be just made by myself, or I have to pay a very large amount of money to just feed myself in some restaurants like that. So I just cook by myself usually. But today, I don't know why, but the oven was somehow, like, not working. So I just had to go out to have some fast food. And maybe tomorrow is going to be fixed. Or maybe not. So that's a little bit problematic.", "whisper-tiny.en": "Yeah, that is like, like it's just something very normal here. And yeah, what do you have for breakfast today or for lunch or dinner? Okay, so usually I don't have breakfast. Like during my normal day, I try to skip breakfast. Even though it's important, but I don't have breakfast usually. So for lunch, since here, I can't really find my home food. I prefer to eat like rice with potatoes and chicken. So I can say that's like going to lunch. Food, that's what I eat for my lunch. And then dinner, dinner, it's where it varies. Maybe I can have spaghetti or macaron, just various things. And I prefer cooking, even though I can go to the content like my school's content. It's really, really nice, but sometimes I prefer cooking by myself. What about you? Yeah, I also like cooking myself. Yeah, as I said, especially when I'm abroad for this semester, everything here is expensive. And what is the most expensive is spending your money in a restaurant. The restaurants here are just crazy. They just tried me like twice or third times of the regular pricing China. So just back in university in China, I can just have my breakfast dinner, lunch at a cafeteria, at that school hall. But here, everything has to be just made by myself. Or I have to pay very much amount of money to just have feed myself things. Some restaurants like that. So I just cook by myself usually. But today, I don't know why, but the oven was somehow like not working. So I just had to go out to have some fast food. And maybe tomorrow is going to be fixed, but maybe not. So that's a little bit of problematic." } }, "edacc-5": { "condition": "accented", "license": "CC BY-SA 4.0", "credit": "The Edinburgh International Accents of English Corpus (EdAcc), Sanabria, Markl, Carmantini, Klejch, Bell and Bogoychev, University of Edinburgh, 2025, doi:10.7488/ds/7914, CC BY-SA 4.0. Changed: a window cut from the conversation. The reference transcript is shared under CC BY-SA 4.0.", "reference": "yeah but uh i i think that uh talking about edinburgh for example may be a good idea\nright\nhave you ever been there\nyes i stayed in edinburgh for about a month so i lived in in edinburgh when i was like fourteen or thirteen yes but it was my last stu study travel and and i lived i think with a family with um a scottish family and i um i think that this was um where my english did really improve this was the best experience in all that and where i mean i was at at at at someone's house and i have to talk in english no matter what so my english like jumped like two or three steps i think in that in that time\nthe thing is that it but their english is different i mean\nyeah but but it's english nevertheless so you have to you have to make yourself understand and yes i know that they pronounce r or something like that but i didn't um i di i didn't have any difficulties with that i i did have difficulties with the like informal english with uh words like crap or something like this that i didn't understand what they mean um\nah okay\nand it was like a challenge to to to communicate with my with my peers i mean with the with the boy of the family which was my age but i i i couldn't understand i couldn't grasp anything i think it was like two thousand two nineteen ninety nine two thousand and one i remember that the the phantom menace was on the mo on the on the\nthe movies", "transcripts": { "whisper-base.en": "Yeah, but I think that talking about anymore, for example, maybe a good idea. Have you ever been there? Yes, I stayed in Edinburgh for about a month. So I lived in Edinburgh when I was like 14 or 13. Yes, it was my last study travel and I lived, I think, with a family, with a study family. I think that this was where my English did really improve. This was the best experience in all that. And where, I mean, I was at someone's house and I have to talk in English no matter what. So my English jumped like two or three stairs, I think, in that time. But their English is different, I mean. Yeah, but this English is nonetheless. So you have to make yourself understand. And yes, I know that they pronounce R or something like that. But I didn't have any difficulties with that. I did have difficulties with like in formal English with words like crap or something like this that I didn't understand what they mean. And it was like a challenge to communicate with my peers. I mean, with a boy at the family, which was my eight. But I couldn't understand, I couldn't grasp anything. I think it was like 1999, 2001. I remember that the Phantom Menace was on the movie.", "whisper-medium.en": "Yeah, but I think that talking about Edinburgh, for example, maybe a good idea. Have you ever been there? Yes, I stayed in Edinburgh for about a month. So I lived in Edinburgh when I was like 14 or 13. Yes, it was my last study travel and I lived, I think, with a family, with a Scottish family. I think that this was where my English did really improve. This was the best experience and all that. I mean, I was at someone's house and I have to talk in English no matter what. So my English jumped two or three stairs, I think, in that time. But their English is different. Yeah, but this English is not, nevertheless, so you have to make yourself understand. And yes, I know that they pronounce R or something like that. But I didn't have any difficulties with that. I did have difficulties with informal English, with words like crap or something like this that I didn't understand what they mean. And it was like a challenge to communicate with my peers. I mean, with a boy at the family, which was my age. But I couldn't understand, I couldn't grasp anything. I think it was like 1999, 2001. I remember that the Phantom Menace was on the movies.", "whisper-small.en": "Yeah, but I think that talking about Edinburgh, for example, maybe a good idea. Have you ever been there? Yes, I stayed in Edinburgh for about a month. So I lived in in Edinburgh when I was like 14 or 13. Yes, it was my last study travel. And I lived, I think with a family with an unspotted family. I think that this was where my English did really improve. This was the best experience in all that. And where I mean, I was at someone's house, and I have to talk in English, no matter what. So my English, like, jumped, like, two or three stairs, I think in that time. But their English is different, I mean. Yeah, but this is English, nonetheless. So you have to make yourself understand. And yes, I know that they pronounce R or something like that. But I didn't have any difficulties with that. I did have difficulties with the, like, informal English with words like crap or something like this that I didn't understand what they mean. And it was like a challenge to communicate with my peers. I mean, with a boy at the family, which was my age. But I couldn't understand, I couldn't grasp anything. I think it was like 2000, 1999, 2001. I remember that the Phantom Menace was on the movies.", "whisper-tiny.en": "Yeah, but I think that talking about adding more, for example, maybe what they did, have you ever been there? Yes, I stayed in Edinburgh for about a month. So I lived in Edinburgh when I was like protein. I was hurting. Yes, it was my last study travel. And I lived, I think, with a family, with an Scottish family. I think that this was where my English did really improve. Which was the best experience in all that. And where, I mean, I was at someone's house, and I have to talk in English no matter what. So my English jumped like two or three stairs, I think that's in that time. But they're English is different. I mean, yeah, but this English is not nevertheless. So you have to make yourself understand. And yes, I know that the pronouns are or something like that. But I didn't have any difficulties with that. I did have difficulties with the informal English, with words like crap or something like this, that I didn't understand what they mean. And it was like a challenge to communicate with my peers. I mean, with a boy at the family, which was my age. But I couldn't understand, I couldn't grasp anything. I think it was like 2019, 1999 to 2001. I remember that the Phantom Menace was on the movies." } } } }